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[First] Essay for Orchestra, Op. 12  |
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A Green Lowland of Pianos, Op. 45 No. 2 |
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A Nun Takes the Veil, Op. 13 No. 1 |
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A Slumber Song of the Madonna |
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Adadio for Strings (Op. 11) |
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Adagio |
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Adagio (Theme From Platoon) |
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Adagio (vocalise) |
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Adagio for Strings (by Milwaukee Symphony Orchestra) |
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Adagio for Strings (feat. Philip Aaberg) |
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Adagio for Strings (from Platoon) |
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Adagio for Strings (from String Quartet, Op. 11) |
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Adagio for Strings (From the Film Platoon) |
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Adagio for Strings (Los Angeles Philharmonic Orchestra, conductor: Leonard Bernstein) |
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Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 |
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Adagio for Strings (Platoon) |
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Adagio For Strings op 11 |
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Adagio for Strings Op. 11 |
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Adagio for Strings, Op. 11 |
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Adagio For Strings, Op. 11 (Boston Symphony Strings) |
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Adagio For Strings, Op. 11 (Canadian Brass) |
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Adagio For Strings, Op. 11 (flute: James Galway, synthesizer: Hiro Fujikake) |
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Adagio For Strings, Op. 11 (Kalman Opperman Clarinet Choir feat. clarinet: Richard Stoltzman) |
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Adagio For Strings, Op. 11 (organ: David Pizarro) |
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Adagio For Strings, Op. 11 (Smithsonian Chamber Players) |
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Adagio for Strings, Op. 11 (The Smithsonian Chamber Players) |
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Adagio For Strings, Op. 11 (Tokyo String Quartet) |
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Adagio For Strings, Op. 11: Agnus Dei (Choir of Trinity College, Cambridge) |
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Adagio for Strings, Op.11 (London Symphony Orchestra feat. conductor: Michael Tilson Thomas) |
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Adagio for Strings, Opus 11 |
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Adagio for Strings: Molta adagio |
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Adagio Für Steicher Op. 11 |
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Adagio pour cordes |
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Adagio pour cordes (feat. Scottish Chamber Orchestra, conductor: Jukka-Pekka Saraste) |
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Adagio voor strijkers |
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Adagio, Op. 11 |
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Adagio, Orchestral version; 'Platoon' |
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Agnus Dei |
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Agnus Dei (feat. choir: The Choir of New College Oxford) |
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Agnus Dei (Platoon) |
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Agnus Dei, for chorus & organ/piano, Op. 11: arrangement from the 2nd movement of the String Quartet |
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Agnus Dei, Op. 11 |
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Agnus Dei, Op. 11 (Choir of Trinity College, Cambridge feat. conductor: Richard Marlow) |
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Andromache's Farewell, Op. 39 |
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Antony and Cleopatra: Give Me My Robe |
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Antony and Cleopatra: Give Me Some Music |
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Ballade Op. 46 |
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Bessie Bobtail, Op. 2 No. 3 |
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Canzone for Flute & Piano, Op. 38a |
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Cello Concerto Op. 22: I. Allegro moderato |
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Cello Concerto Op. 22: II. Andante sostenuto |
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Cello Concerto Op. 22: III. Molto allegro e appassionato |
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Cello concerto, Op. 22: Molto allegro e appassionato |
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Cello Sonata, Op. 6: I. Allegro ma non troppo |
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Cello Sonata, Op. 6: II. Adagio - Presto |
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Cello Sonata, Op. 6: III. Allegro appassionato |
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Commando March |
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Concerto for Violin and Orchestra, Op. 14: I. Allegro |
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Concerto for Violin and Orchestra, Op. 14: I. Allegro (feat. violin: Isaac Stern) |
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Concerto for Violin and Orchestra, Op. 14: II. Andante |
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Concerto for Violin and Orchestra, Op. 14: II. Andante (feat. violin: Isaac Stern) |
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Concerto for Violin and Orchestra, Op. 14: III. Presto in moto (feat. violin: Isaac Stern) |
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Concerto for Violin and Orchestra, Op. 14: III. Presto in moto perpetuo |
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Concerto for Violin and Orchestra, Op. 14: III. Presto in moto perpetuoso |
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Concerto for Violin and Orchestra: I. Allegro |
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Concerto for Violin and Orchestra: II. Andante |
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Concerto for Violin and Orchestra: III. Presto in moto |
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De profundis |
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Despite and Still, Op. 41 No. 1: A Last Song |
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Despite and Still, Op. 41 No. 2: My Lizard |
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Despite and Still, Op. 41 No. 3: In the Wilderness |
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Despite and Still, Op. 41 No. 4: Solitary Hotel |
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Despite and Still, Op. 41 No. 5: Despite and Still |
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Dover Beach for Voice and String Quartet, Op. 3 |
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Dover Beach, Op. 3 |
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Essay for Orchestra No.1, Op. 12 (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin) |
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Essay for Orchestra, Op. 12 |
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Excursions Op. 20: I. Un poco allegro |
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Excursions Op. 20: II. In Slow Blues Tempo |
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Excursions Op. 20: III. Allegretto |
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Excursions Op. 20: IV. Allegro molto |
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Excursions, Op. 20: I. Un poco allegro |
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Excursions, Op. 20: II. In slow blues tempo |
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Excursions, Op. 20: III. Allegretto |
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Excursions, Op. 20: IV. Allegro molto |
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First Essay for Orchestra, Op. 12 |
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Four Excursions, Op. 20, No. 1 |
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Four Excursions, Op. 20, No. 2 |
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Four Excursions, Op. 20, No. 3 |
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Four Excursions, Op. 20, No. 4 |
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Four Songs, Op. 13 No. 3: Sure on This Shining Night |
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Four Songs, Op. 13 No. 4: Nocturne |
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Hermit Songs, Op. 29 No. 1: At Saint Patrick's Purgatory |
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Hermit Songs, Op. 29 No. 1: At St Patrick's Purgatory |
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Hermit Songs, Op. 29 No. 10: The Desire for Hermitage |
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Hermit Songs, Op. 29 No. 10: The Desire for Hermitage (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer) |
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Hermit Songs, Op. 29 No. 2: Church Bell at Night |
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Hermit Songs, Op. 29 No. 3: St Ita's Vision |
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Hermit Songs, Op. 29 No. 3: St. Ita's Vision |
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Hermit Songs, Op. 29 No. 4: The Heavenly Banquet |
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Hermit Songs, Op. 29 No. 5: The Crucifixion |
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Hermit Songs, Op. 29 No. 6: Sea Snatch |
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Hermit Songs, Op. 29 No. 6: Sea-Snatch |
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Hermit Songs, Op. 29 No. 7: Promiscuity |
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Hermit Songs, Op. 29 No. 8: The Monk and His Cat |
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Hermit Songs, Op. 29 No. 9: The Praises of God |
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Hermit Songs, Op. 29: At Saint Patrick's Purgatory |
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Hermit Songs, Op. 29: Church Bell at Night |
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Hermit Songs, Op. 29: Promiscuity |
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Hermit Songs, Op. 29: Sait Ita's Vision |
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Hermit Songs, Op. 29: Sea-Snatch |
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Hermit Songs, Op. 29: The Crucifixion |
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Hermit Songs, Op. 29: The Desire for Hermitage |
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Hermit Songs, Op. 29: The Heavenly Banquet |
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Hermit Songs, Op. 29: The Monk and His Cat |
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Hermit Songs, Op. 29: The Praises of God |
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Hermit Songs: II. Church Bell at Night |
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Hermit Songs: III. St. Ita's Vision |
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Hermit Songs: IX. The Praises of God |
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I Hear an Army, Op. 10 No. 3 |
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In the Dark Pinewood |
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Interlude No. 1 "Adagio for Jeanne" |
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Knoxville: Summer of 1915 |
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Knoxville: Summer of 1915 (London Symphony Orchestra feat. conductor: Michael Tilson Thomas, soprano: Barbara Hendricks) |
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Knoxville: Summer of 1915, Op. 24 |
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Love at the Door |
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Love's Caution |
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Medea |
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Medea Op. 23: Choros. Medea and Jason |
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Medea Op. 23: Chroso |
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Medea Op. 23: Exodos |
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Medea Op. 23: Kantikos Agonias |
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Medea Op. 23: Medea |
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Medea Op. 23: Parodos |
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Medea Op. 23: The Young Princess. Jason |
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Medea: Meditation & Dance of Vengeance |
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Medea's Dance of Vengeance, Op. 23a |
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Medea's Dance of Vengeance, Op. 32a (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin) |
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Medea's Dance of Vengence, Op. 23A |
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Mélodies passagères, Op. 27 No. 1: Puisque tout passe |
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Mélodies passagères, Op. 27 No. 2: Un cygne |
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Mélodies passagères, Op. 27 No. 3: Tombeau dans un parc |
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Mélodies passagères, Op. 27 No. 4: Le clocher chante |
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Mélodies passagères, Op. 27 No. 5: Départ |
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Monks and Raisins, Op. 18 No. 2 |
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Music for a Scene from Shelley, Op. 7 |
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Night Wanderers |
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Nocturne (Homage to John Field), Op. 33 |
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Nocturne Op. 33 |
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Nocturne, Op. 13 No. 4 |
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Nocturne, Op. 13, No. 4 |
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Now Have I Fed and Eaten Up the Rose, Op. 45 No. 1 |
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Nuvoletta, Op. 25 |
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O Boundless, Boundless Evening, Op. 45 No. 3 |
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Of That So Sweet Imprisonment |
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Overture to "The School for Scandal", Op. 5 |
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Overture to 'The School for scandal' |
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Overture to The School for Scandal, Op. 5 |
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Overture to 'The School for Scandal', Op. 5 (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin) |
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Piano Concerto: Allegro appassionato (feat. piano: Tedd Joselson) |
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Piano Concerto: Allegro molto (feat. piano: Tedd Joselson) |
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Piano Concerto: Moderato (feat. piano: Tedd Joselson) |
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Piano Sonata, Op. 26: I. Allegro energico |
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Piano Sonata, Op. 26: II. Allegro vivace e leggero |
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Piano Sonata, Op. 26: III. Adagio mesto |
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Piano Sonata, Op. 26: IV. Fuga: Allegro con spirito |
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Platoon: Adagio for Strings |
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Platoon: Adagio for Strings (Philadelphia Orchestra, feat. conductor: Eugene Ormandy) |
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Platoon: Adagio for Strings (vocal version) |
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Rain Has Fallen, Op. 10 No. 1 |
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Reincarnations: I. Mary Hynes |
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Reincarnations: II. Anthony O'Daly |
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Reincarnations: III. The Coolin |
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Second Essay for Orchestra, Op. 17 |
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Second Essay, Op. 17 |
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Serenade for String Quartet, Op. 1: II. Andante con moto |
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Serenades |
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Sleep Now, Op. 10 No. 2 |
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Sleep Now, Op. 10, No. 2 |
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Sonata for Piano Op. 26: I. Allegro energico |
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Sonata for Piano Op. 26: II. Allegro vivace e leggero |
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Sonata for Piano Op. 26: III. Adagio mesto |
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Sonata for Piano Op. 26: IV. Fuga: Allegro con spirito |
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Souvenirs, (Arr. From Op. 28): Pas de deux |
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Souvenirs, (Arr. From Op. 28): Two step |
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String Quartet in B major, Op. 11: I. Molto allegro e appassionato |
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String Quartet in B major, Op. 11: II. Molto adagio - attacca: |
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String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto |
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String Quartet in B minor, Op. 11: II. Adagio |
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String Quartet Op. 11: Adagio |
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String Quartet, Op. 11: I. Molto allegro e appassionato |
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String Quartet, Op. 11: II. Molto adagio |
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String Quartet, Op. 11: III. Molto Allegro |
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Strings in the Earth and Air |
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Summer Music, Op. 31 |
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Summer Music, Op. 31: Faster - |
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Summer Music, Op. 31: Joyous and flowing - |
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Summer Music, Op. 31: Lively, still faster |
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Summer Music, Op. 31: Slow and indolent |
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Summer Music, Op. 31: Tempo I |
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Summer Music, Op. 31: With motion, as before - |
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Sure on this Shining Night, Op. 13 No. 3 |
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Symphony No. 1 (in one movement), Op. 9: Allegro molto |
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Symphony No. 1 (in one movement), Op. 9: Allegro, ma non troppo |
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Symphony No. 1 (in one movement), Op. 9: Andante tranquillo |
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Symphony No. 1 (in one movement), Op. 9: Con moto |
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Symphony No. 1, Op. 9: Allegro ma non troppo |
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Symphony No. 1, Op. 9: Allegro molto |
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Symphony No. 1, Op. 9: Andante tranquillo |
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Symphony No. 2, Op. 19: Allegro ma non troppo |
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Symphony No. 2, Op. 19: Andante, un poco mosso |
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Symphony No. 2, Op. 19: I. Allegro ma non troppo |
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Symphony No. 2, Op. 19: II. Andante un poco mosso |
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Symphony No. 2, Op. 19: III. Presto senza battuta: Allegro risoluto |
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Symphony No. 2, Op. 19: Presto, senza battuto - Allegro risoluto |
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The Beggar's Song |
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The Daises, Op. 2, No. 1 |
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The Daisies, Op. 2 No. 1 |
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The Queen's Face on the Summery Coin, Op. 18 No. 1 |
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The School for Scandal - Overture, Op. 5 |
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The School for Scandal Overture, Op. 5 |
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The Secrets of the Old, Op. 13 No. 2 |
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There's Nae Lark |
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Third Essay for Orchestra, Op. 47 |
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Three Songs, Op. 10 No. 1: Rain Has Fallen |
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Three Songs, Op. 10 No. 2: Sleep Now |
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Three Songs, Op. 10 No. 3: I Hear an Army |
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Three Songs, Op. 2 No. 1: The Daisies |
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Three Songs, Op. 2 No. 2: With Rue My Heart Is Laden |
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Three Songs, Op. 45 No. 1 "Now Have I Fed and Eaten Up the Rose" |
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Toccata Festiva, Op. 36 |
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Totus tuus |
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Vanessa, Op. 32: Act I, Scene I. "Do not utter a word, Anatol" (Vanessa) |
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Vanessa, Op. 32: Act I, Scene I. "Listen!... They are here" (Erika) |
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Vanessa, Op. 32: Act I, Scene I. "Must the winter come so soon?" (Erika) |
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Vanessa, Op. 32: Act I, Scene I. "No, I cannot understand why..." (Vanessa) |
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Vanessa, Op. 32: Act I, Scene I. "Potage crème aux perles" (Erika) |
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Vanessa, Op. 32: Act I, Scene I. "Who are you?" (Erika) |
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Vanessa, Op. 32: Act I, Scene I. "Yes, I believe I shall love you" (Anatol) |
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Vanessa, Op. 32: Act I, Scene I. Introduction |
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Vanessa, Op. 32: Act I, Scene II. "And then?" (Baroness) |
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Vanessa, Op. 32: Act I, Scene II. "Did you hear her?" (Erika) |
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Vanessa, Op. 32: Act I, Scene II. "Erika, I am so happy" (Vanessa) |
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Vanessa, Op. 32: Act I, Scene II. "Help, help! Save me from their talk" (Anatol) |
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Vanessa, Op. 32: Act I, Scene II. "Hurry now!" (Vanessa) |
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Vanessa, Op. 32: Act I, Scene II. "In morning light let us rejoice" (Chorus) |
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Vanessa, Op. 32: Act I, Scene II. "No, you are not as good a skater..." (Vanessa) |
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Vanessa, Op. 32: Act I, Scene II. "Outside this house the world has changed" (Anatol) |
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Vanessa, Op. 32: Act I, Scene II. "Under the willow tree..." (Doctor) |
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Vanessa, Op. 32: Act II "At last I've found you" (Anatol) |
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Vanessa, Op. 32: Act II "Here you are!" (Vanessa) |
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Vanessa, Op. 32: Act II "I should never have been a doctor" (Doctor) |
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Vanessa, Op. 32: Act II "Love has a bitter core, Vanessa" (Anatol) |
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Vanessa, Op. 32: Act II "Nothing to worry about" (Doctor) |
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Vanessa, Op. 32: Act II "The Count and the Countess of d'Albanie" (Major-domo) |
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Vanessa, Op. 32: Act II. Intermezzo |
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Vanessa, Op. 32: Act III, Intermezzo |
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Vanessa, Op. 32: Act III, Scene I. "Anatol, tell me the truth!" (Vanessa) |
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Vanessa, Op. 32: Act III, Scene I. "Grandmother!" (Erika) |
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Vanessa, Op. 32: Act III, Scene I. "On the path to the lake" (Anatol) |
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Vanessa, Op. 32: Act III, Scene I. "There, look!" (Doctor) |
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Vanessa, Op. 32: Act III, Scene I. "Why did no-one warn me?" (Vanessa) |
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Vanessa, Op. 32: Act III, Scene I. "Why must the greatest sorrow..." (Vanessa) |
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Vanessa, Op. 32: Act III, Scene II. "And you, my friend" (Vanessa) |
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Vanessa, Op. 32: Act III, Scene II. "By the time we arrive in Paris" (Anatol) |
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Vanessa, Op. 32: Act III, Scene II. "Erika, before I leave, you must tell me" (Vanessa) |
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Vanessa, Op. 32: Act III, Scene II. "For every love there is a last farewell" (Doctor) |
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Vanessa, Op. 32: Act III, Scene II. "Goodbye, be happy, Aunt Vanessa" (Erika) |
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Vanessa, Op. 32: Act III, Scene II. "No, I must never say that name again" (Erika) |
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Vanessa, Op. 32: Act III, Scene II. "To leave, to break, to find, to keep" (Vanessa) |
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Vanessa, Op. 32: Intermezzo from Act II |
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Violin Concerto, Op. 14: I. Allegro |
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Violin Concerto, Op. 14: I. Allegro (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira) |
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Violin Concerto, Op. 14: II. Andante |
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Violin Concerto, Op. 14: II. Andante (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira) |
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Violin Concerto, Op. 14: III. Presto in moto perpetuo |
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Violin Concerto, Op. 14: III. Presto in moto prepetuo (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira) |
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With Rue My Heart Is Laden, Op. 2 No. 2 |
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弦楽のためのアダージョ |
