| | |
 |
Allegretto  |
| |
Canon in Memory of I. Stravinsky |
| |
Cello Concerto No.1: I. Pesante |
| |
Cello Concerto No.1: II. Largo |
| |
Cello Concerto No.1: III. Allegro vivace |
| |
Cello Concerto No.1: IV. Largo |
 |
Collected Songs Where Every Verse is Filled with Grief |
| |
Concerto for Cello and Orchestra |
 |
Concerto for Mixed Choir: Collected Songs Where Every Verse Is Filled With Grief |
| |
Concerto for Mixed Choir: Collected Songs Where Every Verse is Filled with Grief (arr. Kronos Quartet) |
| |
Concerto for Piano and Strings (feat. piano: Igor Khudolei) |
| |
Concerto for Piano and Strings: Moderato - Allegro - Tempo di valse - Cadenza - Moderato |
| |
Concerto for Violoncello and Orchestra No. 2: I. Moderato |
| |
Concerto for Violoncello and Orchestra No. 2: II. Allegro |
| |
Concerto for Violoncello and Orchestra No. 2: III. Lento |
| |
Concerto for Violoncello and Orchestra No. 2: V. Grave |
| |
Concerto Gross No. 1 |
| |
Concerto Grosso I: I. Preludio |
| |
Concerto Grosso I: II. Toccata |
| |
Concerto Grosso I: III. Recitativo |
| |
Concerto Grosso I: IV. Cadenza |
| |
Concerto Grosso I: V. Rondo |
| |
Concerto Grosso No. 1: I. Preludio. Andante (Chamber Orchestra of Europe feat. conductor: Heinrich Schiff, violin: Gidon Kremer, violin: Tatjana Grindenko, harpsichord & prepared piano: Yuri Smirnov) |
| |
Concerto Grosso No. 1: II. Toccata. Allegro (Chamber Orchestra of Europe feat. conductor: Heinrich Schiff, violin: Gidon Kremer, violin: Tatjana Grindenko, harpsichord & prepared piano: Yuri Smirnov) |
| |
Concerto Grosso No. 1: III. Recitativo. Lento (Chamber Orchestra of Europe feat. conductor: Heinrich Schiff, violin: Gidon Kremer, violin: Tatjana Grindenko, harpsichord & prepared piano: Yuri Smirnov) |
| |
Concerto Grosso No. 1: IV. Cadenza (without tempo indication) (Chamber Orchestra of Europe feat. conductor: Heinrich Schiff, violin: Gidon Kremer, violin: Tatjana Grindenko, harpsichord & prepared piano: Yuri Smirnov) |
| |
Concerto Grosso No. 1: V. Rondo. Agitato (Chamber Orchestra of Europe feat. conductor: Heinrich Schiff, violin: Gidon Kremer, violin: Tatjana Grindenko, harpsichord & prepared piano: Yuri Smirnov) |
| |
Concerto Grosso No. 1: VI. Postludio. Andante - Allegro - Andante (Chamber Orchestra of Europe feat. conductor: Heinrich Schiff, violin: Gidon Kremer, violin: Tatjana Grindenko, harpsichord & prepared piano: Yuri Smirnov) |
| |
Concerto Grosso No. 5, Part 1 |
| |
Concerto Grosso No. 5, Part 2 |
| |
Concerto Grosso No. 5, Part 3 |
| |
Concerto Grosso No. 5, Part 4 |
| |
Doctor Fausti Hollische Verschreibung |
| |
Doctor Faustus Will Sich Verheiraten |
| |
Dritter Akt: Wie das Vierundzwanzigste Jahr Vorbei |
| |
Ein Reim Wider Fausti Verstockung |
| |
Eine Disutation Fausti Mit Dem Geist |
| |
Epilogue from the Ballet "Peer Gynt" (transcription: Alfred Schnittke) |
| |
Erscheinung der Schonen Helena |
| |
Fausti Weheklag II |
| |
Five Fragments Based on Paintings by Hieronymus Bosch: I. Lento |
| |
Five Fragments Based on Paintings by Hieronymus Bosch: II. Moderato |
| |
Five Fragments Based on Paintings by Hieronymus Bosch: III. Andantino "Es sehnt der keusche himmel sich" |
| |
Five Fragments Based on Paintings by Hieronymus Bosch: IV. Agitato |
| |
Five Fragments Based on Paintings by Hieronymus Bosch: V. Senza tempo "Frosch lebt im lentz" |
| |
Four Hymns: II. For Cello and Double Bass |
| |
Gebet und Falscher Trost fur Faustum |
| |
Gogol Suite: VI. The Bureaucrats. Allegro |
| |
In memoriam...: I. Moderato |
| |
In memoriam...: II. Tempo di Valse |
| |
In memoriam...: III. Andante |
| |
In memoriam...: IV. Lento |
| |
In memoriam...: V. Moderato pastorale |
| |
Oboe and Harp Concerto |
| |
Piano Concerto |
| |
Prolog |
| |
Quartet No. 2: I. Moderato |
| |
Quartet No. 2: II. Agitato |
| |
Quartet No. 2: III. Mesto |
| |
Quartet No. 2: IV. Moderato |
| |
Quartet No. 3: Andante - Agitato - Pesante |
| |
Quartet No. 4: I. Lento |
| |
Quartet No. 4: II. Allegro |
| |
Quartet No. 4: III. Lento |
| |
Quartet No. 4: IV. Vivace |
| |
Quartet No. 4: V. Lento |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Agnus Dei |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Benedictus |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Credo |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Dies Irae |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Domine Jesu |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Hostias |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Kyrie |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Lacrymosa |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Recordare |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Requiem |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Rex tremendae |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Sanctus |
| |
Requiem, music to Schiller's Drama "Don Carlos" for soloists, mixed chorus and instrumental ensemble: Tuba mirum |
| |
Requiem: VIII. Domine jesu christe |
| |
Senza Tempo - Moderato - Allgero - Andante |
| |
Sonata for Violin and Chamber Orchestra: I. Andante |
| |
Sonata for Violin and Chamber Orchestra: II. Allegretto |
| |
Sonata for Violin and Chamber Orchestra: III. Largo |
| |
Sonata for Violin and Chamber Orchestra: IV. Allegretto scherzando - Allegro |
| |
Sonata No. 2 for Cello and Piano: I. Senza tempo |
| |
Sonata No. 2 for Cello and Piano: II. Allegro |
| |
Sonata No. 2 for Cello and Piano: III. Largo |
| |
Sonata No. 2 for Cello and Piano: IV. Allegro |
| |
Sonata No. 2 for Cello and Piano: V. Lento |
| |
Spottische Scherzreden der Teuflischen Geister |
| |
Steam |
| |
Stille musik for Violin and Cello: Lento |
| |
String Quartet No. 1: I. Sonata |
| |
String Quartet No. 1: II. Canon |
| |
String Quartet No. 1: III. Cadenza |
| |
String Quartet No. 2: I. Moderato |
| |
String Quartet No. 2: II. Agitato |
| |
String Quartet No. 2: III. Mesto |
| |
String Quartet No. 2: IV. Moderato |
| |
String Quartet No. 3: I. Andante |
| |
String Quartet No. 3: II. Agitato |
| |
String Quartet No. 3: III. Pesante |
| |
String Quartet No. 4: I. Lento |
| |
String Quartet No. 4: II. Allegro |
| |
String Quartet No. 4: III. Lento |
| |
String Quartet No. 4: IV. Vivace |
| |
String Quartet No. 4: V. Lento |
| |
Suite in old style |
| |
Suite in the Old Style for Chamber Orchestra (arrangement: Vladimir Spivakov & Vladimir Milman): I. Pastorale |
| |
Suite in the Old Style for Chamber Orchestra (arrangement: Vladimir Spivakov & Vladimir Milman): II. Ballett |
| |
Suite in the Old Style for Chamber Orchestra (arrangement: Vladimir Spivakov & Vladimir Milman): III. Menuett |
| |
Suite in the Old Style for Chamber Orchestra (arrangement: Vladimir Spivakov & Vladimir Milman): IV. Fuge |
| |
Suite in the Old Style for Chamber Orchestra (arrangement: Vladimir Spivakov & Vladimir Milman): V. Pantomime |
| |
Symphony No. 3: I. First movement |
| |
Symphony No. 3: II. Allegro |
| |
Symphony No. 3: III. Allegretto |
| |
Symphony No. 3: IV. Adagio |
| |
Symphony No.7: I. Andante |
| |
Symphony No.7: II. Largo |
| |
Symphony No.7: III. Allegro |
| |
Trio Sonata for Chamber Orchestra (orchestration: Yuri Bashmet): I. Moderato |
| |
Trio Sonata for Chamber Orchestra (orchestration: Yuri Bashmet): II. Adagio |
| |
Violin Concerto No. 1 (1957/1963): I. Allegro Ma Non Troppo |
| |
Violin Concerto No. 1 (1957/1963): II. Andante |
| |
Violin Concerto No. 1 (1957/1963): III. Allegro Scherzando |
| |
Violin Concerto No. 2 (1966) |
| |
Violin Concerto No. 3 (1978): I. Moderato |
| |
Violin Concerto No. 3 (1978): II. Agitato |
| |
Violin Concerto No. 3 (1978): III. Andante |
| |
Violin Concerto No. 4 (1984): I. Andante |
| |
Violin Concerto No. 4 (1984): II. Vivo (Cadenza Visuale) |
| |
Violin Concerto No. 4 (1984): III. Adagio |
| |
Violin Concerto No. 4 (1984): IV. Lento (Cadenza Visuale) |
| |
Violin Sonata No. 2: Quasi una sonata (feat. piano: Andrei Gavrilov) |
| |
Vom Paradeis |
| |
Weitere Disputation Mit Mephostophiles |
| |
Wie Faustus Den Teufel Beschworen |
| |
Wie Faustus Soll Bekehrt Werden |
| |
Zweiter Akt (Zweiter Teil): Fausti Weheklag I |
| |
Zweiter Akt: Von Der Dienstbarkeit Des Mephostophiles |
