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About the Course  |
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Add9 and 6/9 Chords |
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All Chords - Synthesizer |
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Altered Chords |
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Analysis of Bach: Following the Flow of Music by Ear |
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Analysis: Following the Flow of Music by Ear |
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Answers to Exam, Part 2 |
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Answers: Arrangement |
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Answers: Main Piece |
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Arpeggios |
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Arrangement |
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Augmented Dominant Seventh Chords (Dom7#9) |
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Augmented Fifth Chords (Sharp Five Chords) |
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Augmented Fourths: Outwitting the 'Devil in the Music' |
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Augmented Octaves |
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Aural Illusions |
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Borrowed Chords |
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Borrowed Dominants |
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Bottom Listening |
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Cadences: Full, Half, Plagal, Deceptive, Bvii-I (Lowered Seventh - One), bVI-bV |
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Chord Degrees |
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Chord Drill: M7, m7, m/M7, Dom7 |
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Chord Progressions |
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Chord Spelling, Playing and Singing Assignment |
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Chords |
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Chords: Open and Close Position |
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Chords: Sound and Spelling - Major, Minor, Augmented, Diminished, Dominant Seventh Chords |
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Comments and Homework |
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Compound Intervals: Ninths, Tenths, Elevenths, Twelfths, Thirteenths |
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Conclusion of Bach Assignment: The Ranges of Relative Pitch and Perfect Pitch |
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Conclusion of Level 2 |
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Conclusion of Level 3 |
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Conclusion of Level One |
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Correct Spelling - Major Scales |
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Correct Spellings: Augmented Fourths (Tritones) |
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Correct Spellings: Diminished Fifth Chords |
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Correct Spellings: Major Seconds |
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Correct Spellings: Major Sevenths |
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Correct Spellings: Major Sixths |
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Correct Spellings: Major Thirds (also: Double Sharps, Double Flats) |
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Correct Spellings: Minor Seconds |
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Correct Spellings: Minor Sevenths |
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Correct Spellings: Minor Sixths |
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Correct Spellings: Minor Thirds |
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Correct Spellings: Perfect Fifths |
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Correct Spellings: Perfect Fourths |
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Correct Spellings: Sharp Five Chords |
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Diatonic Tones |
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Dictation Examples |
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Diminished Fifth Chords (Flat Five Chords) |
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Diminished Minor Seventh Chords (M7b5) |
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Diminished Seventh Chords |
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Dissonance and Consonance |
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Dominant 9, Dominant b9, and Dominant #9 Chords |
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Dominant Seventh Chords |
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Dominant Seventh Inversions (with Third Inversion - 'Dominant 2') |
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Dominanth Seventh Flat Five Chords (Dom7b5) |
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Double Lightning Round |
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Drill Instructions |
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Drill Instructions: Harmonic Inversions |
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Drill: Dominant Sevenths - Part 1 |
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Drill: Dominant Sevenths - Part 2 |
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Drill: Four-Note Chords - Harmonic |
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Drill: Four-Note Chords - Melodic |
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Drill: Harmonic Inversions |
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Drill: Harmonic Major Inversions - Top Listening |
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Drill: Inversions |
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Drill: Keynotes, Degrees, and Inversions - Part 1 |
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Drill: Keynotes, Degrees, and Inversions - Part 2 |
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Drill: Major and Minor Inversions |
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Drill: Melodic Inversions |
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Drill: Minor Inversions |
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Drill: Minor Scale Degrees |
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Drill: Mixed Major and Minor Inversions |
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Drill: Mixed Major Inversions |
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Drill: Progressions (Cadences) |
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Drill: Three-Note Chords - Harmonic |
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Drill: Three-Note Chords - Melodic |
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Drilling Points and Homework (m7) |
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Drilling Technique |
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Drilling Technique and Homework (M7) |
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Drilling Techniques |
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Drills: Altered Seventh Arpeggios |
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Ear Training Technique |
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Ear-Training Techniques: Learning the Broad Cross Sections |
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Effortless Listening |
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Eleventh Chords |
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Enharmonic Spellings |
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Equal-Tempered and Just Tuning Systems |
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Exam Examples |
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Exam Prep |
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Exam Preparation |
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Exam Procedure |
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Exam Procedures |
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Exam: Bach for Rock (and All Musical Styles) |
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Exam: Interval Singing |
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Exam: Part 1, Chords (Singing) |
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Exam: Part 2, Musical Dictation |
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Exam: Relative Pitch Identification |
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Exam: Spelling |
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Final Asignment |
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Final Exam |
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Final Talk and Notes |
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Five Chords, Seven Chords and Dominant Seventh Chords |
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Half Diminished and Full Diminished Sevenths |
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Half Steps and Whole Steps |
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Harmonic Minor |
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Homework |
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How Perfect Pitch and Relative Pitch Work Together (Grand Pitch Awareness) |
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How Testing Works |
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How to Label Any Chord You Hear |
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How to Take Music Out of Your Head |
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Instructions |
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Instructions for Exam Answers |
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Interval Singing Drill |
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Introduction |
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Introduction to the Grand Round Ear-Opening Technique (and Musical Spelling) |
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Introductory Talk |
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Inversions |
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Inversions of Major and Minor Chords and Arpeggios (Triads: Root Position, First Inversion, Second Inversion) |
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Inversions: Sound and Spelling |
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Keynotes (Home Base) |
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Keynotes and Degrees |
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Level One Exam, Section 1: Spelling Test |
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Lightning Round |
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Lightning Round: All Chords |
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Lightning Round: All Mixed |
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Lightning Round: All Mixed (Incl Aug Fourths) |
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Lightning Round: All Seventh Chords |
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Lightning Round: Chord Degrees (Root Position) |
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Lightning Round: Dom9, Domb9, Dom#9 Chords |
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Lightning Round: Dominant Seventh Chords |
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Lightning Round: Eleventh and Thirteenth Chords |
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Lightning Round: Eleventh Chords |
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Lightning Round: Harmonic Seconds |
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Lightning Round: Harmonic Thirds |
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Lightning Round: M13, M13, Dom 13 |
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Lightning Round: M7, m7, m/M7, Dom7 - Arpeggios |
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Lightning Round: M9 and m9 Chords |
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Lightning Round: Major Scale Degrees: A |
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Lightning Round: Major Scale Degrees: Ab |
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Lightning Round: Major Scale Degrees: B |
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Lightning Round: Major Scale Degrees: Bb |
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Lightning Round: Major Scale Degrees: C |
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Lightning Round: Major Scale Degrees: C# |
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Lightning Round: Major Scale Degrees: Cb |
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Lightning Round: Major Scale Degrees: D |
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Lightning Round: Major Scale Degrees: Db |
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Lightning Round: Major Scale Degrees: E |
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Lightning Round: Major Scale Degrees: Eb |
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Lightning Round: Major Scale Degrees: F |
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Lightning Round: Major Scale Degrees: F# |
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Lightning Round: Major Scale Degrees: G |
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Lightning Round: Major Scale Degrees: Gb |
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Lightning Round: Major, Minor, Augmented, Diminished, Dominant Seventh Chords |
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Lightning Round: Major, Minor, Diminished, Augmented |
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Lightning Round: Melodic Seconds |
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Lightning Round: Melodic Thirds |
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Lightning Round: Mixed Harmonic P4, P5, and Perfect Octaves |
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Lightning Round: Mixed Inversions |
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Lightning Round: Mixed Major and Minor Arpeggios and Chords |
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Lightning Round: Mixed Melodic P4 and P5 |
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Lightning Round: Mixed P4, P5, M3, M3, M2, Perfect Octaves and Perfect Unisons |
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Lightning Round: Mixed P4, P5, Perfect Octaves, and Perfect Unisons (with Instructions for Speed Recognition of Tones) |
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Lightning Round: Mixed P5, P4, M3, m3, M2, m2, M6, m6, m7, Perfect Octaves, and Perfect Unisons |
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Lightning Round: Mixed P5, P4, M3, m3, M2, m2, M6, m6, Perfect Octaves, and Perfect Unisons |
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Lightning Round: Mixed P5, P4, M3, m3, M2, m2, Perfect Octaves, and Perfect Unisons |
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Lightning Round: Mixed Thirds |
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Lightning Round: Mixed, All Intervals So Far |
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Lightning Round: Ninth and Sixth Chords |
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Lightning Round: Ninth Chords |
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Lightning Round: Ninth Chords with Add 9 and 6/9 Chords |
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Lightning Round: P4, P5 , Tritones |
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Lightning Round: P5, P4, M3, m3, M2, m2, M6, Perfect Octaves, and Perfect Unisons |
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Lightning Round: P5, P4, M3, m3, Perfect Octaves, and Perfect Unisons |
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Lightning Round: Scale Degrees |
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Lightning Round: Scale Degrees - Part 1 |
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Lightning Round: Scale Degrees - Part 2 |
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Lightning Round: Seventh and Fourth Chords |
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Lightning Round: Sevenths |
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Lightning Round: Sixth, Add 9, 6/9, Sus4 Chords |
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Lightning Round: Sixths |
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Lightning Rounds: Chord Degrees 1: Root Positons |
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Lightning Rounds: Chord Degrees 2: First Inversion |
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Lightning Rounds: Chord Degrees 3: Second Inversion |
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Lightning Rounds: Major and Minor Arpeggios |
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Lightning Rounds: Scale Degrees - Part 1 (Degree) |
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Lightning Rounds: Scale Degrees - Part 2 (Name) |
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Lightning Rounds: Seventh Chords |
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Lightning Rounds: Sixth, Seventh and Suspended Fourth (Sus4) |
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Lightning Rounds: Sus4, M6, M6 Chords |
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Listen to These Power Points at Any Time You Need Support |
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Listening Technique |
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Listening Technique (Sound Association) |
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Listening Technique and Major Seconds |
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Listening Technique: Inversions |
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Listening Technique: Roots and Bass Notes of Chords |
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Listening Technique: Speed Recognition of Chords |
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Listening Techniques |
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Main Piece |
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Major and Minor Chords |
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Major and Minor Inversions |
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Major and Minor Inversions - Open and Close Position |
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Major and Minor Ninth Chords |
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Major and Minor: The Basic Structures of Music |
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Major Scales: Essential Foundations for Ear Awareness |
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Major Thirds |
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Master Class 1 |
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Master Class 10 |
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Master Class 11 |
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Master Class 12 |
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Master Class 13 |
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Master Class 14 |
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Master Class 15 |
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Master Class 16 |
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Master Class 17 |
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Master Class 18 |
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Master Class 19 |
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Master Class 2 |
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Master Class 20 |
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Master Class 21 |
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Master Class 22 |
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Master Class 23 |
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Master Class 24 |
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Master Class 3 |
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Master Class 4 |
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Master Class 5 |
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Master Class 6 |
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Master Class 7 |
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Master Class 8 |
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Master Class 9 |
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Melodic and Harmonic Intervals |
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Melodic Minor |
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Memorization for Self-Sufficiency |
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Mini-Test: Theoretical Intervals |
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Minor Scales |
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Minor Scales in Contemporary Music |
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Minor Seconds |
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Minor Sixths |
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Minor Suspended Fourth Chords |
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Minor Thirds |
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Miscellaneous |
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Miscellaneous Notes on Intervals and Theoretical Intervals |
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More Drilling Procedures |
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More Exam Procedures |
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More Procedures |
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Moving Inversions |
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Music Theory and Notation |
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Music: The Finest of Fine Arts |
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Natural Minor |
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New Drill Procedure |
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New Drill Procedure - 'Error Free' Listening |
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New Practice Routine for Lesson 30 |
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Notation of Chords |
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Notation of Intervals and Chords |
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Notation of Sharp Five (#5) Chords |
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Note for Musicians with Perfect Pitch |
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Pedal Points |
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Perfect Fifths |
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Perfect Fourths |
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Perfect Pitch and Relative Pitch Working Together |
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Perfect Pitch for Children 1 |
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Perfect Pitch for Children 2 |
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Perfect Pitch for Children Q&A |
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Perfect Unisons and Perfect Octaves |
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Picardy Thirds |
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Pivot Chords and Changing Chords |
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Power Points |
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Preparation For Drill |
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Preparation for Stability Test |
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Progressions and Modulations |
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Puzzle Drill (also: Chord Roots) |
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Relative Major and Minor Keys (Tonalities) |
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Relative Pitch Chord "Color" |
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Relative Pitch Identification Drill |
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Relative Pitch Identification Drill: Part 1 |
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Relative Pitch Identification Drill: Part 2 |
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Second Inversion One Chords |
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Section 2: Relative Pitch Identification |
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Section 3: Interval Singing |
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Section 4: Lightning Round |
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Section 5: Synthesizer Lightning Round: Part 1 |
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Section 5: Synthesizer Lightning Round: Part 2 |
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Seventh Chords |
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Singing Drill |
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Sixth Chords |
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Sound Test: Augmented Fourths |
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Sound Test: Major and Minor Arpeggios |
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Sound Test: Major Seconds |
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Sound Test: Major Sevenths |
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Sound Test: Major Sixths |
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Sound Test: Major Thirds |
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Sound Test: Minor Seconds |
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Sound Test: Minor Sevenths |
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Sound Test: Minor Sixths |
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Sound Test: Minor Thirds |
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Sound Test: Perfect Fifths (Singing) |
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Sound Test: Perfect Fourths |
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Special Instructions |
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Special Sound Exercise |
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Speed Recognition of Tones |
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Speed Recognition: Drilling Procedures |
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Spelling Test: Augmented Fourths |
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Spelling Test: Flat Five (Diminished Fifth) Chords |
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Spelling Test: Major and Minor Chords |
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Spelling Test: Major Seconds |
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Spelling Test: Major Sevenths |
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Spelling Test: Major Sixths |
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Spelling Test: Major Thirds |
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Spelling Test: Minor Seconds |
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Spelling Test: Minor Sevenths |
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Spelling Test: Minor Sixths |
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Spelling Test: Minor Thirds |
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Spelling Test: Perfect Fifths |
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Spelling Test: Perfect Fourths |
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Spelling Test: Sharp Five (Augmented) Chords |
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Stability Test: #4 |
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Stability Test: M2 |
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Stability Test: M3 |
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Stability Test: M6 |
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Stability Test: M7 |
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Stability Test: P4 |
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Stability Test: P5 |
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Stability Test: Procedures |
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Stabilization of a Powerful Ear |
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Star Spangled Banner - Assignment |
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Stepwise Motion - Spelling |
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Suspended Fourth Chords |
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Synthesizer Drill: Inversions |
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Synthesizer Lightning Round |
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Synthesizer Lightning Round: All Mixed with M9 and m9 |
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Taking Music Out of Your Head |
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Talks: Stabilization of Relative Pitch: The Simplicity of Musical Perception |
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Tertian, Quartal, and Quintal Harmony |
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Test: Major Ninths |
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Test: Minor Ninths |
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The Chromatic Scale |
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The Circle of Fifths |
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The Eight Essential Perceptions for the Established Musical Ear |
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The Grand Round Ear-Opening Technique (to be practiced for remainder of the Course) |
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The Importance of Musical Spelling |
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The Influence of Sound |
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The Key to Chord Identification |
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The Purpose of Relative Pitch Ear-Training: Speed Recognition of Tones by Quality |
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The Random Round Technique |
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The Sound Round Technique |
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The Three Essentials for Singing in Perfect Tune |
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The Value of Scale Degrees |
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The Value of Scale Spellings |
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Thirteenth Chords |
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Transposition |
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Unlocking Technique (to be Practiced for Remainder of the Course) |
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Various |
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Voicing, Extensions and Omitted Tones |
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Warm-up Drill for Tests |
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Whole Tone Scale |
