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"Carmen" Suite: I. Introduction: Andante assai  |
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"Carmen" Suite: II. Dance: Allegro |
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"Carmen" Suite: III. First Intermezzo: Allegro moderato - Andante moderato - (atttacca:) |
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"Carmen" Suite: IV. Changing of the Guard: Moderato |
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"Carmen" Suite: IX. Torero: Moderato con stoltezza |
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"Carmen" Suite: V. Carmen's Entrance and Habanera: Allegro moderato - Quasi andante |
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"Carmen" Suite: VI. Scene: Allegro moderato - Tempo precedente - Andante assai |
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"Carmen" Suite: VII. Second Intermezzo: Larghetto |
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"Carmen" Suite: VIII. Bolero: Allegro vivo |
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"Carmen" Suite: X. Torero and Carmen: Lento - Tempo I |
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"Carmen" Suite: XI. Adagio: Andante moderato - Adagio |
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"Carmen" Suite: XII. Fortune-Telling: Andantino - Andante assai |
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"Carmen" Suite: XIII. Finale: Allegro - Tempo precedente - Andante assai |
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Anna Karenina: Act I. Anna and Vronsky |
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Anna Karenina: Act I. Argument of Karenin and Anna |
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Anna Karenina: Act I. Cotillion Ball |
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Anna Karenina: Act I. Dance of Anna and the Four Cavaliers |
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Anna Karenina: Act I. Karenin's Thoughts |
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Anna Karenina: Act I. Mazurka. Anna's Solo |
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Anna Karenina: Act I. Prologue. Train Station of the Nikolaevsk Railroad |
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Anna Karenina: Act I. Vronsky's Dream |
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Anna Karenina: Act II. Escape to Italy |
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Anna Karenina: Act II. Horse Race |
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Anna Karenina: Act III. Death of Anna |
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Anna Karenina: Act III. Last Duo with Vronsky |
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Anna Karenina: Act III. Meeting of Anna and Her Son and Anna's Monologue |
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Carmen: Bolero |
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Carmen: Carmen's Entrance and Habanera |
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Carmen: Changing of the Guard |
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Carmen: Dance |
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Carmen: First Intermezzo |
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Carmen: Introduction |
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Carmen: Scene |
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Carmen: Second Intermezzo |
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Concerto Cantabile for Violin and Orchestra: I. Moderato cantabile |
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Concerto Cantabile for Violin and Orchestra: II. Allegro |
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Concerto Cantabile for Violin and Orchestra: III. Sostenuto assai |
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Concerto for Cello and Orchestra "Sotto voce": I. Sostenuto |
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Concerto for Cello and Orchestra "Sotto voce": III. Scherzo: Cadenza |
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Concerto for Cello and Orchestra "Sotto voce": IV. Finale |
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Concerto for Orchestra No. 1 "Naughty Limericks": Allegro assai |
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Concerto for Orchestra No. 2 "The Chimes" |
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Humoresque |
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In the Style of Albéniz |
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Oratorio "Lenin in People's Heart": I. Introduction |
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Oratorio "Lenin in People's Heart": II. Lamento I |
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Oratorio "Lenin in People's Heart": III. Epic of the Red Guard Belmas |
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Oratorio "Lenin in People's Heart": IV. Lamento II |
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Oratorio "Lenin in People's Heart": V. Epic of the Woman Worker Natorova |
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Oratorio "Lenin in People's Heart": VI. Symphonia |
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Revolutionary Songs: Hymn to Democratic Youth |
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Seagull Suite: I. Moderato appassionato |
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Seagull Suite: II. Andante, sempre rubato |
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Seagull Suite: III. L'istesso tempo |
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Seagull Suite: Interlude |
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Seagull Suite: IV. Moderato statico |
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Seagull Suite: V. Moderato appassionato |
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Stikhira |
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Symphony No. 2 ''25 Preludes for Full Symphony Orchestra'': Nos. 15-18 |
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Symphony No. 2 ''25 Preludes for Full Symphony Orchestra'': Nos. 1-6 |
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Symphony No. 2 ''25 Preludes for Full Symphony Orchestra'': Nos. 19-25 |
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Symphony No. 2 ''25 Preludes for Full Symphony Orchestra'': Nos. 7-9 |
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The Lady with a Lapdog |
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The Sealed Angel: IX. Sostenuto (Moscow Chamber Choir & USSR Russian Choir feat. conductor: Vladimir Minin) |
