| |
|
0'9.032 |
|
11'35.809 |
|
13'19.881 |
|
15'38.504 |
|
1'55.635 |
|
17'48.512 |
|
19'36.044 |
|
21'33.769 |
|
23'24.029 |
|
25'19.629 |
|
26'1.1499' for a String Player (1953-55) |
|
27'16.170 |
|
29'27.224 |
|
31'21.997 |
|
33'31.277 |
|
3'46.742 |
|
35'06.467 |
|
36'52.652 |
|
38'37.444 |
|
4:33 |
|
40'32.429 |
|
42'14.040 |
|
4'33'' (No.2) (0'00) - Peter Pfister, electronic realization |
|
4'33" (part 1) (piano: Frank Zappa) |
|
4'33" (part 3) (piano: Frank Zappa) |
|
4'33" (part 5) (piano: Frank Zappa) |
|
44'06.053 |
|
45', 34'46.776'', 3157.9864'', 27'10.554'', 26'1.1499 (English) |
|
45', 34'46.776'', 31'57.9864'', 27'10.554'', 26'1.1499 (German) |
|
45'55.651 |
|
47'46.085 |
|
49'32.665 |
|
5 Stories in the Style of Indeterminancy |
|
51'40.328 |
|
5'23.314 |
|
53'27.140 |
|
55'36.568 |
|
57'46.623 |
|
60'06.593 |
|
62'33.528 |
|
65'07.755 |
|
67'16.893 |
|
70'19.669 |
|
7'13.980 |
|
9'33.672 |
|
A Dip in the Lake - Fifty Six Marxhes |
|
A Dip in the Lake - Sixty One Waltzes |
|
A Flower |
|
A Flower (1950) |
|
A Room |
|
A Room (1943) |
|
A Room (From She Is Asleep) |
|
A Room, for Piano |
|
A Room, for Prepared Piano |
|
A Valentine Out of Season |
|
A Valentine Out of Season I (1944) |
|
A Valentine Out of Season II (1944) |
|
A Valentine Out of Season III (1944) |
|
A Valentine Out of Season, Part 1 |
|
A Valentine Out of Season, Part 2 |
|
A Valentine Out of Season, Part 3 |
|
A Valentine Out of Season: I |
|
A Valentine Out of Season: II |
|
A Valentine Out of Season: III |
|
And the Earth Shall Bear Again |
|
And the Earth Shall Bear Again (1942) |
|
And the Earth Shall Bear Again, for Prepared Piano |
|
Aria |
|
Aria (part 1) (vocals: Meredith Monk) |
|
Aria (part 10) (vocals: Meredith Monk) |
|
Aria (part 11) (vocals: Meredith Monk) |
|
Aria (part 12) (vocals: Meredith Monk) |
|
Aria (part 13) (vocals: Meredith Monk) |
|
Aria (part 14) (vocals: Meredith Monk) |
|
Aria (part 15) (vocals: Meredith Monk) |
|
Aria (part 2) (vocals: Meredith Monk) |
|
Aria (part 3) (vocals: Meredith Monk) |
|
Aria (part 4) (vocals: Meredith Monk) |
|
Aria (part 5) (vocals: Meredith Monk) |
|
Aria (part 6) (vocals: Meredith Monk) |
|
Aria (part 7) (vocals: Meredith Monk) |
|
Aria (part 8) (vocals: Meredith Monk) |
|
Aria (part 9) (vocals: Meredith Monk) |
|
Aria / Fontana Mix |
|
Art is Either a Compliment or do Something Else, Cage describes the Mesostatic |
|
Art is Either a Compliment or do Something Else, Cage reads Jasper John's statement |
|
Art is Either a Compliment or do Something Else, Introduction |
|
Art is Either a Compliment or do Something Else, Mesostatic 1 |
|
Art is Either a Compliment or do Something Else, Mesostatic 10 |
|
Art is Either a Compliment or do Something Else, Mesostatic 11 |
|
Art is Either a Compliment or do Something Else, Mesostatic 12 |
|
Art is Either a Compliment or do Something Else, Mesostatic 13 |
|
Art is Either a Compliment or do Something Else, Mesostatic 2 |
|
Art is Either a Compliment or do Something Else, Mesostatic 3 |
|
Art is Either a Compliment or do Something Else, Mesostatic 4 |
|
Art is Either a Compliment or do Something Else, Mesostatic 5 |
|
Art is Either a Compliment or do Something Else, Mesostatic 6 |
|
Art is Either a Compliment or do Something Else, Mesostatic 7 |
|
Art is Either a Compliment or do Something Else, Mesostatic 8 |
|
Art is Either a Compliment or do Something Else, Mesostatic 9 |
|
ASLSP (1985) |
|
ASLSP: I |
|
ASLSP: II |
|
ASLSP: III |
|
ASLSP: IV |
|
ASLSP: V |
|
ASLSP: VI |
|
ASLSP: VII |
|
ASLSP: VIII |
|
Atlas eclipticalis |
|
Bacchanale |
|
Bacchanale (1940) |
|
Bacchanale (prepared piano) |
|
Bird Cage, Part 1 |
|
Bird Cage, Part 2 |
|
Bird Cage, Part 3 |
|
Bird Cage, Part 4 |
|
Bird Cage, Part 5 |
|
Bird Cage, Part 6 |
|
Bird Cage, Part 7 |
|
Bird Cage, Part 8 |
|
Bird Cage, Part 9 |
|
But What About the Noise...? |
|
Cartridge Music |
|
Composed Improvisation |
|
Concert for Piano and Orchestra (1957-1958) |
|
Concerto for Piano and Orchestra |
|
Concerto For Prepared Piano And Chamber Orchestra (1950-1) - Part 1 |
|
Concerto For Prepared Piano And Chamber Orchestra (1950-1) - Part 2 |
|
Concerto For Prepared Piano And Chamber Orchestra (1950-1) - Part 3 |
|
Concerto for Prepared Piano and Orchestra (1951) - 1st Part |
|
Concerto for Prepared Piano and Orchestra (1951) - 2nd Part |
|
Concerto for Prepared Piano and Orchestra: I |
|
Concerto for Prepared Piano and Orchestra: II |
|
Concerto for Prepared Piano and Orchestra: III |
|
Credo In Us |
|
Dance No. 1 for Two Prepared Pianos (part 1) (pianos: Patrick Moraz, Charles "Vision" Turner) |
|
Dance No. 1 for Two Prepared Pianos (part 3) (pianos: Patrick Moraz, Charles "Vision" Turner) |
|
Daughter of the Lonesome Isle (prepared piano) |
|
Daughters of the Lonesome Isle |
|
Daughters of the Lonesome Isle (1945) |
|
Double Music (feat. Lou Harrison) |
|
Dream |
|
Duo I |
|
Duo II |
|
Duo III |
|
Duo IV |
|
Duo IX |
|
Duo V |
|
Duo VI |
|
Duo VII |
|
Duo VIII |
|
Eight Whiskers |
|
Electronic Music for 2 Pianos |
|
Etude 1 |
|
Etude 10 |
|
Etude 11 |
|
Etude 12 |
|
Etude 13 |
|
Etude 14 |
|
Etude 15 |
|
Etude 16 |
|
Etude 2 |
|
Etude 3 |
|
Etude 4 |
|
Etude 5 |
|
Etude 6 |
|
Etude 7 |
|
Etude 8 |
|
Etude 9 |
|
Etudes Boreales - I |
|
Etudes Boreales - II |
|
Etudes Boreales - III |
|
Etudes Boreales - IV |
|
Etudes Boreales: I |
|
Etudes Boreales: II |
|
Etudes Boreales: III |
|
Etudes Boreales: V |
|
Excepts From a Conversation With John Cage |
|
Excerpt #1 |
|
Excerpt #10 |
|
Excerpt #11 |
|
Excerpt #2 |
|
Excerpt #3 |
|
Excerpt #4 |
|
Excerpt #5 |
|
Excerpt #6 |
|
Excerpt #7 |
|
Excerpt #8 |
|
Excerpt #9 |
|
Excerpts - 10pm to 11pm |
|
Excerpts - 11pm to 12am |
|
Excerpts - 12am to 1am |
|
Excerpts - 7pm to 8pm |
|
Excerpts - 8pm to 9pm |
|
Excerpts - 9pm to 10pm |
|
First Construction (In Metal) |
|
First Construction (In Metal) (1939) |
|
First Construction in Metal |
|
First Interlude |
|
First Interlude (piano: Boris Berman) |
|
Five Stone Wind |
|
For MC and D.T., for Piano |
|
Forever and Sunsmell |
|
Forever and Sunsmell (1942) |
|
Four Walls (1944): Scene I |
|
Four Walls (1944): Scene II |
|
Four Walls (1944): Scene III |
|
Four Walls (1944): Scene IV |
|
Four Walls (1944): Scene IX |
|
Four Walls (1944): Scene V |
|
Four Walls (1944): Scene VI |
|
Four Walls (1944): Scene VII |
|
Four Walls (1944): Scene VIII |
|
Four Walls (1944): Scene X |
|
Four Walls (1944): Scene XI |
|
Four Walls (1944): Scene XII |
|
Four Walls (1944): Scene XIII |
|
'Four': 1. Part One |
|
'Four': 2. Part Two |
|
Four5 |
|
Fourteen |
|
Fourteen (1990) |
|
Fourth Interlude |
|
I |
|
II |
|
III |
|
Imaginary Landscape No 1 |
|
Imaginary Landscape No. 1 |
|
Imaginary Landscape No. 2 |
|
Imaginary Landscape No. 3 |
|
Imaginary Landscape No. 4 |
|
Imaginary Landscape No. 5 |
|
In a Landscape |
|
In a Landscape (1948) |
|
In a Landscape, for Piano |
|
In the Name of the Holocaust |
|
In the Name of the Holocaust (1942) - I |
|
In the Name of the Holocaust (1942) - II |
|
In the Name of the Holocaust, Part 1 |
|
In the Name of the Holocaust, Part 2 |
|
In The Name Of The Holocaust: A (string piano) |
|
In The Name Of The Holocaust: B (string piano) |
|
Interlude 1 |
|
Interlude 2 |
|
Interlude 3 |
|
Interlude 4 |
|
Interlude I (prepared piano) |
|
Interlude II |
|
Interlude II (prepared piano) |
|
Interlude III (prepared piano) |
|
Interlude IV (prepared piano) |
|
Lecture on Nothing |
|
Living Room Music (part 1) (performer: David Van Tieghem) |
|
Living Room Music (part 2) (performer: David Van Tieghem) |
|
Living Room Music (part 3) (performer: David Van Tieghem) |
|
Living Room Music (part 4) (performer: David Van Tieghem) |
|
Living Room Music (part 5) (performer: David Van Tieghem) |
|
Living Room Music (part 6) (performer: David Van Tieghem) |
|
Living Room Music (part 7) (performer: David Van Tieghem) |
|
Living Room Music (part 8) (performer: David Van Tieghem) |
|
Living Room Music I: To Begin |
|
Living Room Music II: Story |
|
Living Room Music III: Melody |
|
Living Room Music IV: End |
|
Living Room Music: II. Story |
|
Metamorphosis |
|
Metamorphosis 1 (1938) |
|
Metamorphosis 2 (1938) |
|
Metamorphosis 3 (1938) |
|
Metamorphosis 4 (1938) |
|
Metamorphosis 5 (1938) |
|
Metamorphosis: I |
|
Metamorphosis: II |
|
Metamorphosis: III |
|
Metamorphosis: IV |
|
Metamorphosis: V |
|
Mirakus |
|
Music for 2 Pianos I |
|
Music for 2 Pianos II |
|
Music for 3 Pianos |
|
Music for 4 Pianos |
|
Music for 5 Pianos |
|
Music for Five |
|
Music for Four (1987/1988) |
|
Music for Four (cont.) |
|
Music for Marcel Duchamp |
|
Music for Marcel Duchamp (1947) |
|
Music for Piano #2 (bowed piano) |
|
Music for Piano 1 |
|
Music for Piano 14-18 |
|
Music for Piano 19 |
|
Music for Piano 2 |
|
Music for Piano 21, 22, 26, 29, 34, 36 |
|
Music for Piano 21-27 |
|
Music for Piano 22, 21, 32, 36 |
|
Music for Piano 27 |
|
Music for Piano 27, 21, 32, 35, 36 |
|
Music for Piano 27, 21, 32, 36 |
|
Music for Piano 28-30 |
|
Music for Piano 31-36 |
|
Music for Piano 37-40 |
|
Music for Piano 41-44 |
|
Music for Piano 4-5 |
|
Music for Piano 45-48 |
|
Music for Piano 49-52 |
|
Music for Piano 53-68 |
|
Music for Piano 6-13 |
|
Music for Piano 69 |
|
Music for Piano 70 |
|
Music for Piano 71 |
|
Music for Piano 72 |
|
Music for Piano 73 |
|
Music for Piano 74 |
|
Music for Piano 75 |
|
Music for Piano 76 |
|
Music for Piano 77 |
|
Music for Piano 78 |
|
Music for Piano 79 |
|
Music for Piano 80 |
|
Music for Piano 82 |
|
Music for Piano 83 |
|
Music for Piano 84 |
|
Music for Piano 85 |
|
Music for Seventeen |
|
Music for Two (By One) |
|
Music of Changes: Buch I |
|
Music of Changes: Buch II |
|
Music of Changes: Buch III |
|
Music of Changes: Buch IV |
|
Music of Changes: I |
|
Music of Changes: II |
|
Music of Changes: III |
|
Music of Changes: IV |
|
Mysterious Adventure |
|
Mysterious Adventure (1945) |
|
Nowth Upon Nacht |
|
One2, for 1- 4 Pianos (Second version) |
|
Ophelia |
|
Ophelia (1946) |
|
Our Spring Will Come |
|
Our Spring will come (1943) |
|
Part 6 |
|
Part 7 |
|
Part I |
|
Performance I |
|
Performance II |
|
Performance Introduction |
|
Prelude for Meditation |
|
Prelude for Meditation (1944) |
|
Primitive |
|
Primitive (1942) |
|
Quartet I: Moderate |
|
Quartet II. Very Slow |
|
Quartet III: Axial Asymmetry. Slow |
|
Quartet IV: Fast |
|
Quartet: Axial Asymmetry - Slow |
|
Quartet: Fast |
|
Quartet: Moderate |
|
Quartet: Very Slow |
|
Quartets I-VIII |
|
Quest |
|
Quest (1935) |
|
Quodlibet |
|
Radio Music |
|
Radio Music (edit) |
|
Roaratorio, Part Four (To End) |
|
Roaratorio, Part One (To Line 220) |
|
Roaratorio, Part Three (To Line 594) |
|
Roaratorio, Part Two (To Line 406) |
|
Roaritorio |
|
Root of an Unfocus |
|
Root of an Unfocus (1944) |
|
Rozart Mix |
|
Ryoanji |
|
Second Construction |
|
Second Construction (1940) |
|
Second Interlude |
|
Series re Morris Graves |
|
Series re Morris Graves, Page 19 |
|
Series re Morris Graves, Page 20 |
|
Series re Morris Graves, Page 22 |
|
Seven Haiku, for Piano |
|
Seventy-Four (Version I) |
|
Seventy-Four (Version II) |
|
She Is Asleep Duet, for Voice & Prepared Piano |
|
She Is Asleep Quartet, for Twelve Tom-Toms |
|
She's Asleep |
|
Sixty-Two Mesostics Re Merce Cunningham (Frammenti) |
|
So That Each Person Is in Charge of Himself |
|
Solo for Cello (1957-1958) |
|
Solo for Sliding Trombone |
|
Solo for Voice 49 |
|
Solo for Voice 52 |
|
Solo for Voice 67 |
|
Solo I |
|
Solo II |
|
Sonata 1 |
|
Sonata 10 |
|
Sonata 11 |
|
Sonata 12 |
|
Sonata 13 |
|
Sonata 16 |
|
Sonata 2 |
|
Sonata 3 |
|
Sonata 4 |
|
Sonata 5 |
|
Sonata 5 & 6 |
|
Sonata 6 |
|
Sonata 8 |
|
Sonata 9 |
|
Sonata I |
|
Sonata I (prepared piano) |
|
Sonata II |
|
Sonata II (prepared piano) |
|
Sonata III |
|
Sonata III (prepared piano) |
|
Sonata IV |
|
Sonata IV (prepared piano) |
|
Sonata IX |
|
Sonata IX (prepared piano) |
|
Sonata V |
|
Sonata V (prepared piano) |
|
Sonata VI |
|
Sonata VI (prepared piano) |
|
Sonata VII |
|
Sonata VII (prepared piano) |
|
Sonata VIII |
|
Sonata VIII (prepared piano) |
|
Sonata X |
|
Sonata X (prepared piano) |
|
Sonata XI |
|
Sonata XI (prepared piano) |
|
Sonata XII |
|
Sonata XII (prepared piano) |
|
Sonata XIII |
|
Sonata XIII (prepared piano) |
|
Sonata XIV |
|
Sonata XIV (prepared piano) |
|
Sonata XIV and XV "Gemini" (after the work by Richard Lippold) |
|
Sonata XV |
|
Sonata XV (prepared piano) |
|
Sonata XVI |
|
Sonata XVI (prepared piano) |
|
Sonatas & Interludes (1946-8) - Sonata 14 & 15 'Gemini' |
|
Sonatas 1 & 2 |
|
Sonatas 14 And 15 "Gemini" |
|
Sonatas XIV and XV |
|
Sonatas XIV and XV Gemini (After Richard Lippold) |
|
Sonnekus |
|
Souvenir |
|
Spontaneous Earth |
|
Spontaneous Earth (1944) |
|
String Quartet in Four parts: 1. Quietly flowing along |
|
String Quartet in Four parts: 2. Slowly rocking |
|
String Quartet in Four parts: 3. Nearly stationary |
|
String Quartet in Four parts: 4. Quodlibet |
|
Suite for Toy Piano |
|
Suite for Toy Piano - Part I (1948) |
|
Suite for Toy Piano - Part II (1948) |
|
Suite for Toy Piano - Part III (1948) |
|
Suite for Toy Piano - Part IV (1948) |
|
Suite for Toy Piano - Part V (1948) |
|
Suite for Toy Piano (orchestration: Lou Harrison): I |
|
Suite for Toy Piano (orchestration: Lou Harrison): II |
|
Suite for Toy Piano (orchestration: Lou Harrison): III |
|
Suite for Toy Piano (orchestration: Lou Harrison): IV |
|
Suite for Toy Piano (orchestration: Lou Harrison): V |
|
Suite for Toy Piano: 1 |
|
Suite for Toy Piano: 2 |
|
Suite for Toy Piano: 3 |
|
Suite for Toy Piano: 4 |
|
Suite for Toy Piano: 5 |
|
Suite for Toy Piano: I |
|
Suite for Toy Piano: I. |
|
Suite for Toy Piano: II |
|
Suite for Toy Piano: II. |
|
Suite for Toy Piano: III |
|
Suite for Toy Piano: III. |
|
Suite for Toy Piano: IV |
|
Suite for Toy Piano: IV. |
|
Suite for Toy Piano: V |
|
Suite for Toy Piano: V. |
|
Ten |
|
The Beatles 1962-1970, for Six Taped Channels of Piano |
|
The Perilous Night |
|
The Perilous Night (1943/44) - I |
|
The Perilous Night (1943/44) - II |
|
The Perilous Night (1943/44) - III |
|
The Perilous Night (1943/44) - IV |
|
The Perilous Night (1943/44) - V |
|
The Perilous Night (1943/44) - VI |
|
The Perilous Night (1944): 1 |
|
The Perilous Night (1944): 2 |
|
The Perilous Night (1944): 3 |
|
The Perilous Night (1944): 4 |
|
The Perilous Night (1944): 5 |
|
The Perilous Night (1944): 6 |
|
The Perilous Night, No. 1 |
|
The Perilous Night, No. 2 |
|
The Perilous Night, No. 3 |
|
The Perilous Night, No. 4 |
|
The Perilous Night, No. 5 |
|
The Perilous Night, No. 6 |
|
The Perilous Night: I |
|
The Perilous Night: I. |
|
The Perilous Night: II |
|
The Perilous Night: II. |
|
The Perilous Night: III |
|
The Perilous Night: III. |
|
The Perilous Night: IV |
|
The Perilous Night: IV. |
|
The Perilous Night: V |
|
The Perilous Night: V. |
|
The Perilous Night: VI |
|
The Perilous Night: VI. |
|
The Seasons (Ballet in One Act): Fall |
|
The Seasons (Ballet in One Act): Finale (Prelude I) |
|
The Seasons (Ballet in One Act): Prelude I |
|
The Seasons (Ballet in One Act): Prelude II |
|
The Seasons (Ballet in One Act): Prelude III |
|
The Seasons (Ballet in One Act): Prelude IV |
|
The Seasons (Ballet in One Act): Spring |
|
The Seasons (Ballet in One Act): Summer |
|
The Seasons (Ballet in One Act): Winter |
|
The Seasons: Fall |
|
The Seasons: Finale (Prelude I) |
|
The Seasons: Prelude I |
|
The Seasons: Prelude I, Winter |
|
The Seasons: Prelude II |
|
The Seasons: Prelude II, Spring |
|
The Seasons: Prelude III |
|
The Seasons: Prelude III, Summer |
|
The Seasons: Prelude IV |
|
The Seasons: Prelude IV, Fall |
|
The Seasons: Spring |
|
The Seasons: Summer |
|
The Seasons: Winter |
|
The Unavailable Memory of |
|
The Unavailable Memory of (1944) |
|
The Wonderful Widow of Eighteen Springs |
|
Third Construction |
|
Third Interlude |
|
Thirty Pieces for String Quartet (cont.) |
|
Three Dances, for 2 amplified prepared pianos: Dance No. 1 |
|
Three Dances, for 2 amplified prepared pianos: Dance No. 2 |
|
Three Dances, for 2 amplified prepared pianos: Dance No. 3 |
|
Tossed as it is Untroubled |
|
Tossed as it is Untroubled (1943) |
|
Tossed as It Is Untroubled (Meditation) |
|
Totem Ancestor |
|
Totem Ancestor (1942) |
|
Totem Ancestor, for Piano |
|
Trio I: Allegro |
|
Trio II: March |
|
Trio III: Waltz |
|
Triple Paced |
|
Triple Paced (1944) |
|
Two |
|
Two for Flute and Piano (Blum, Schroeder) |
|
Two Pastorales (1952) - No.1 |
|
Two Pastorales (1952) - No.2 |
|
Two Pastorales I |
|
Two Pastorales I (1952) |
|
Two Pastorales II |
|
Two Pastorales II (1952) |
|
Two Pastorales, for Prepered Piano, 1 |
|
Two Pastorales, for Prepered Piano, 2 |
|
Two Pastorales, Part 1 |
|
Two Pastorales, Part 2 |
|
Two Pieces for Piano - Piece N° 1 (1946) |
|
Two Pieces for Piano - Piece N° 2 (1946) |
|
Two Pieces for Piano: I |
|
Two Pieces for Piano: I. |
|
Two Pieces for Piano: I. Slowly |
|
Two Pieces for Piano: II |
|
Two Pieces for Piano: II. |
|
Two Pieces for Piano: II. Quite Fast |
|
Two Pieces: I. Slowly |
|
Two Pieces: II. Quite Fast |
|
Two⁵ |
|
Variation I |
|
Variations I |
|
Variations I, for Any Kind and Number of Instruments |
|
Variations II |
|
Variations III |
|
Waiting, for Piano |
|
What You Say |
|
Williams Mix |
|
Winter Music |
|
Works Of Calder (1949-50) - 1 |
|
Works Of Calder (1949-50) - 2 |
|
Writing for the Second Time Through Finnegan's Wake |