| | |
 |
¡Este País! (This Country!)  |
| |
¡Este Pais! / This Country |
 |
A Sermon on Romance |
| |
American Berserk |
| |
Berceuse élégiaque |
| |
Berceuse elegiaque (des Mannes Wiegenlied am Sarge seiner Mutter) |
| |
Century Rolls: First Movement |
| |
Century Rolls: Hail Bop |
| |
Century Rolls: Manny's Gym |
| |
Chain to the Rhythm |
 |
Chamber Symphony: I. Mongrel Airs |
| |
Chamber Symphony: II. Aria with Walking Bass |
| |
Chamber Symphony: III. Roadrunner |
| |
China Gates |
 |
Christian Zeal and Activity |
| |
Coast |
| |
Common Tones in Simple Time |
| |
Consuelo's Dream |
| |
Crushed by the Rock I Been Standing On |
| |
Dewain's Song of Liberation and Surprise |
| |
El Dorado, Part I: A Dream of Gold |
| |
El Dorado, Part II: Soledades |
| |
El Dorado: Part I - A Dream of Gold |
| |
El Dorado: Part II - Soledades |
| |
El Niño: Part One. Se Habla de Gabriel |
| |
El Niño: Part One. The Christmas Star |
| |
El Niño: Part Two. A Palm Tree |
| |
El Niño: Part Two. Pues Está Tiritando |
| |
El Niño: Part Two. Pues Mi Dios Ha Nacido a Penar |
| |
El Niño: Part Two. The Three Kings |
| |
El Niño: Part Two. Woe Unto Them That Call Evil Good |
| |
Ensemble: I Was Looking at the Ceiling and Then I Saw the Sky |
| |
Eros Piano |
| |
Fearful Symmetries |
| |
Finale |
| |
Five Songs, Part 1: Thoreau |
| |
Five Songs, Part 2: Down East |
| |
Five Songs, Part 3: Cradle Song |
| |
Five Songs, Part 4: At the River |
| |
Five Songs, Part 5: Serenity |
| |
Gnarly Buttons: I. The Perilous Shore |
| |
Gnarly Buttons: II. Hoe-down (Mad Cow) |
| |
Gnarly Buttons: III. Put Your Loving Arms around Me |
| |
Grand Pianola Music, "On the Dominant Divide": III. |
| |
Grand Pianola Music: First Movement |
| |
Grand Pianola Music: I. / II. |
| |
Grand Pianola Music: I. Part IA |
| |
Grand Pianola Music: II. Part IB |
| |
Grand Pianola Music: III. On the Dominant Divide |
| |
Grand Pianola Music: Second Movement |
| |
Grand Pianola Music: Third Movement: On the Dominant Divide |
| |
Hallelujah Junction: I |
| |
Hallelujah Junction: II |
| |
Hallelujah Junction: III |
| |
Harmonielehre, Part I (San Francisco Symphony Orchestra feat. conductor: Edo de Waart) |
| |
Harmonielehre, Part II: The Anfortas Wound (San Francisco Symphony Orchestra feat. conductor: Edo de Waart) |
| |
Harmonielehre, Part III: Meister Eckhardt and Quackie (San Francisco Symphony Orchestra feat. conductor: Edo de Waart) |
| |
Harmonielehre: Part I |
| |
Harmonielehre: Part II: The Anfortas Wound |
| |
Harmonielehre: Part III: Meister Eckhardt and Quackie |
| |
Harmonium: I. Negative Love |
| |
Harmonium: II. Because I Could Not Stop for Death |
| |
Harmonium: II. Because I Could Not Stop for Death - Wild Nights |
| |
Harmonium: III. Wild Nights |
| |
Hoodoo Zephyr: Disappointment Lake |
| |
Hoodoo Zephyr: Hoodoo Zephyr |
| |
Hoodoo Zephyr: Tundra |
| |
I Was Looking at the Ceiling and Then I Saw the Sky |
| |
John's Book of Alleged Dances: Alligator Escalator |
| |
John's Book of Alleged Dances: Dogjam |
| |
John's Book of Alleged Dances: Habanera |
| |
John's Book of Alleged Dances: Hammer & Chisel |
| |
John's Book Of Alleged Dances: I. Judah to Ocean |
| |
John's Book Of Alleged Dances: II. Toot Nipple |
| |
John's Book Of Alleged Dances: III. Dogjam |
| |
John's Book Of Alleged Dances: IV. Pavane: She's So Fine |
| |
John's Book Of Alleged Dances: IX. Alligator Escalator |
| |
John's Book of Alleged Dances: Judah to Ocean |
| |
John's Book of Alleged Dances: Judah to Ocean (reprise) |
| |
John's Book of Alleged Dances: Pavane: She's So Fine |
| |
John's Book of Alleged Dances: Rag the Bone |
| |
John's Book of Alleged Dances: Standchen: The Little Serenade |
| |
John's Book of Alleged Dances: Stubble Crochet |
| |
John's Book of Alleged Dances: Toot Nipple |
| |
John's Book Of Alleged Dances: V. Rag the Bone |
| |
John's Book Of Alleged Dances: VI. Habanera |
| |
John's Book of Alleged Dances: VI. Habenera |
| |
John's Book Of Alleged Dances: VII. Stubble Crotchet |
| |
John's Book Of Alleged Dances: VIII. Hammer & Chisel |
| |
John's Book Of Alleged Dances: X. Ständchen: The Little Serenade |
| |
John's Book Of Alleged Dances: XI. Judah to Ocean (reprise) |
| |
Landing of the Spirit of '76 |
| |
Leila's Song: Alone (Again or at Last) |
| |
Light Over Water: Part I |
| |
Light Over Water: Part II |
| |
Light Over Water: Part III |
| |
Lollapalooza |
| |
Mike's Song About Arresting a Particular Individual |
| |
Mother of the Man |
| |
My Father Knew Charles Ives: I. Concord |
| |
My Father Knew Charles Ives: II. The Lake |
| |
My Father Knew Charles Ives: III. The Mountain |
| |
Naive and Sentimental Music |
| |
Nixon in China: Act I, Scene I. "Landing of the Spirit of '76" |
| |
Nixon in China: Act I, Scene I. "News has a kind of mystery" |
| |
Nixon in China: Act I, Scene I. "Soldiers of heaven hold the sky" |
| |
Nixon in China: Act I, Scene I. "The people are the heroes now" |
| |
Nixon in China: Act I, Scene I. "Your flight was smooth, I hope?" |
| |
Nixon in China: Act I, Scene I. Beginning |
| |
Nixon in China: Act I, Scene I: "Soldiers of Heaven Hold the Sky" |
| |
Nixon in China: Act I, Scene I: Opening |
| |
Nixon in China: Act I, Scene II. "Founders come first, then profiteers" |
| |
Nixon in China: Act I, Scene II. "Like the Ming Tombs" |
| |
Nixon in China: Act I, Scene II. "We no longer need confucius" |
| |
Nixon in China: Act I, Scene II. "You know we'll meet with your confrere the Democratic candidate if he should win" |
| |
Nixon in China: Act I, Scene II. "You've said that there's a certain well-known tree" |
| |
Nixon in China: Act I, Scene II. Beginning |
| |
Nixon in China: Act I, Scene II: "News Has a Kind of Mystery:" |
| |
Nixon in China: Act I, Scene II: "The People Are the Heroes Now" |
| |
Nixon in China: Act I, Scene II: "Your Flight Was Smooth, I Hope?" |
| |
Nixon in China: Act I, Scene II: Landing of the Spirit of '76 |
| |
Nixon in China: Act I, Scene III. "Ladies and gentlemen, Comrades and friends" |
| |
Nixon in China: Act I, Scene III. "Mr. Premier, distinguished guests" |
| |
Nixon in China: Act I, Scene III. Beginning |
| |
Nixon in China: Act I, Scene III. Cheers |
| |
Nixon in China: Act I, Scene III: "Ladies and Gentlemen, Comrades and Friends," |
| |
Nixon in China: Act I, Scene III: "Mr. Premier, Distinguished Guests," |
| |
Nixon in China: Act I, Scene III: Cheers |
| |
Nixon in China: Act II, Scene I. "At last the weather's warming up" |
| |
Nixon in China: Act II, Scene I. "Look down at the earth" |
| |
Nixon in China: Act II, Scene I. "This is prophetic!" |
| |
Nixon in China: Act II, Scene I. Beginning |
| |
Nixon in China: Act II, Scene I: "This Is Prophetic!" |
| |
Nixon in China: Act II, Scene II. "Flesh rebels" |
| |
Nixon in China: Act II, Scene II. "I am the wife of Mao Tse-tung" |
| |
Nixon in China: Act II, Scene II. "I have my brief" |
| |
Nixon in China: Act II, Scene II. "It seems so strange" |
| |
Nixon in China: Act II, Scene II. "Oh what a day I thought I'd die!" |
| |
Nixon in China: Act II, Scene II. "Whip her to death!" |
| |
Nixon in China: Act II, Scene II. Beginning |
| |
Nixon in China: Act II, Scene II. Tropical storm |
| |
Nixon in China: Act II, Scene II: "I Am the Wife of Mao Tse-Tung" |
| |
Nixon in China: Act II, Scene II: "Oh What a Day / I Thought I'd Die!" |
| |
Nixon in China: Act II, Scene II: "Whip Her to Death!" |
| |
Nixon in China: Act II, Scene II: Opening |
| |
Nixon in China: Act III. "After that the sweat had soaked my uniform" |
| |
Nixon in China: Act III. "I am no one" |
| |
Nixon in China: Act III. "I am old and I cannot sleep" |
| |
Nixon in China: Act III. "I can keep still" |
| |
Nixon in China: Act III. "I have no offspring" |
| |
Nixon in China: Act III. "Let us examine what you did" |
| |
Nixon in China: Act III. "Peking watches the stars" |
| |
Nixon in China: Act III. "Sitting around the radio" |
| |
Nixon in China: Act III. "Some men you cannot satisfy" |
| |
Nixon in China: Act III. "When I woke up, I dimly realized the Jap Bombers had given us a miss" |
| |
Nixon in China: Act III. "You won at poker" |
| |
Nixon in China: Act III. Beginning |
| |
Nixon in China: Act III. The Maos dance |
| |
Nixon in China: Act III: "After That - / The Sweat/ Had Soaked My Uniform" |
| |
Nixon in China: Act III: "I Am Old and I Cannot Sleep" |
| |
Nixon in China: Act III: "I Can Keep Still," |
| |
Nixon in China: Act III: "I Have No Offspring." |
| |
Nixon in China: Act III: "Let Us Examine What You Did." |
| |
Nixon in China: Act III: "Peking Watches the Stars," |
| |
Nixon in China: Act III: "When I Woke Up" |
| |
Nixon in China: Act III: "You Won at Poker." |
| |
On the Transmigration of Souls |
| |
One Last Look at the Angel in Your Eyes |
| |
Part I |
| |
Part II: The Anfortas Wound |
| |
Part III: Meister Eckhardt and Quackie |
| |
Phrygian Gates (feat. piano: Hermann Kretzschmar) |
| |
Phyrigian Gates: Part 1 |
| |
Phyrigian Gates: Part 2 (A System of Weights and Measures) |
| |
Phyrigian Gates: Part 3 |
| |
Road Movies: I. Relaxed Groove |
| |
Road Movies: II. Meditative |
| |
Road Movies: III. 40% Swing |
| |
Shaker Loops |
| |
Shaker Loops: A Final Shaking (Bournemouth Symphony Orchestra feat. Nathan Gunn & Marin Alsop) |
 |
Shaker Loops: I. Shaking and Trembling |
| |
Shaker Loops: II. Hymning Slews |
 |
Shaker Loops: III. Loops and Verses |
 |
Shaker Loops: IV. A Final Shaking |
| |
Shaker Loops: Part I. Shaking and Trembling |
| |
Shaker Loops: Part II. Hymning Slews |
| |
Shaker Loops: Part III. Loops and Verses |
| |
Shaker Loops: Part IV. A Final Shaking |
| |
Short Ride in a Fast Machine |
| |
Slonimsky's Earbox |
| |
Song About the Bad Boys and the News |
| |
Song About the On-Site Altercation |
| |
The Black Gondola |
| |
The Chairman Dances (Foxtrot for Orchestra) |
| |
The Chairman Dances: Foxtrot for Orchestra |
| |
The Death of Klinghoffer: Act I, Scene I. "Give these orders" (Molqi) |
| |
The Death of Klinghoffer: Act I, Scene I. "It was just after on fifteen" (The Captain) |
| |
The Death of Klinghoffer: Act I, Scene I. "My grandson Didi, who was two" (Swiss Grandmother) |
| |
The Death of Klinghoffer: Act I, Scene I. "So I said to my grandson" (Swiss Grandmother) |
| |
The Death of Klinghoffer: Act I, Scene I. "We are sorry for you" (Mamoud) |
| |
The Death of Klinghoffer: Act I, Scene I. Ocean Chorus |
| |
The Death of Klinghoffer: Act I, Scene I: I. "It Was Just After 1:15" |
| |
The Death of Klinghoffer: Act I, Scene I: II. "My Grandson Didi, Who Was Two" |
| |
The Death of Klinghoffer: Act I, Scene I: III. "Give These Orders" |
| |
The Death of Klinghoffer: Act I, Scene I: IV. "So I Said to My Grandson" |
| |
The Death of Klinghoffer: Act I, Scene I: V. "We Are Sorry for You" |
| |
The Death of Klinghoffer: Act I, Scene I: VI. Night Chorus |
| |
The Death of Klinghoffer: Act I, Scene I: VII. Chorus of Hagar and the Angel |
| |
The Death of Klinghoffer: Act I, Scene II. "I have often relected that this is no ship" (The Captain) |
| |
The Death of Klinghoffer: Act I, Scene II. "I kept my distance" (Austrian Woman) |
| |
The Death of Klinghoffer: Act I, Scene II. "I think if you could talk like this" (The Captain) |
| |
The Death of Klinghoffer: Act I, Scene II. "Now it is night" (Mamoud) |
| |
The Death of Klinghoffer: Act I, Scene II. "Those birds flying above us" (Mamoud) |
| |
The Death of Klinghoffer: Act I, Scene II. Night Chorus |
| |
The Death of Klinghoffer: Act II, Scene I. "Come here. Look." (Molqi) |
| |
The Death of Klinghoffer: Act II, Scene I. "I must have been hysterical" (British Dancing Girl) |
| |
The Death of Klinghoffer: Act II, Scene I. "It is as if our earthly life were spent miserably" (Omar) |
| |
The Death of Klinghoffer: Act II, Scene I. "I've never been a violent man" (Leon Klinghoffer) |
| |
The Death of Klinghoffer: Act II, Scene I. "You are always complaining of your suffering" (Rambo) |
| |
The Death of Klinghoffer: Act II, Scene I. Desert Chorus |
| |
The Death of Klinghoffer: Act II, Scene I: I. "I've Never Been a Violent Man" |
| |
The Death of Klinghoffer: Act II, Scene I: II. "You Are Always Complaining of Your Suffering" |
| |
The Death of Klinghoffer: Act II, Scene II. "Every fifteen minutes, one more will be shot" (Mamoud) |
| |
The Death of Klinghoffer: Act II, Scene II. "My one consolation" (Marilyn Klinghoffer) |
| |
The Death of Klinghoffer: Act II, Scene II. Aria of the Falling Body (Gymnopédie) |
| |
The Death of Klinghoffer: Act II, Scene II. Day Chorus |
| |
The Death of Klinghoffer: Act II, Scene II. Klinghoffer's death |
| |
The Death of Klinghoffer: Act II, Scene II: I. Aria of the Falling Body (Gymnopédie) |
| |
The Death of Klinghoffer: Act II, Scene II: II. Day Chorus |
| |
The Death of Klinghoffer: Act II, Scene III. "Mrs. Klinghoffer, please sit down." (The Captain) |
| |
The Death of Klinghoffer: Act II, Scene III. "You embraced them!" (Marilyn Klinghoffer) |
| |
The Death of Klinghoffer: Act II. Hagar Chorus |
| |
The Death of Klinghoffer: Chorus of Exiled Jews |
| |
The Death of Klinghoffer: Chorus of Exiled Palestinians |
| |
The Death of Klinghoffer: Chorus of the Exiled Jews |
| |
The Death of Klinghoffer: Chorus of the Exiled Palestinians |
| |
The Death of Klinghoffer: Day Chorus |
| |
The Death of Klinghoffer: Desert Chorus |
| |
The Death of Klinghoffer: Night Chorus |
| |
The Death of Klinghoffer: Ocean Chorus |
| |
The Death of Klinghoffer: Prologue: I. Chorus of the Exiled Palestinians |
| |
The Death of Klinghoffer: Prologue: II. Chorus of the Exiled Jews |
| |
The Dharma at Big Sur, Part I: A New Day |
| |
The Dharma at Big Sur, Part II: Sri Moonshine |
| |
The Wound-Dresser |
| |
Three Weeks and Still I'm Outta My Mind |
| |
Tiffany's Solo |
| |
Two Fanfares for Orchestra: I. Tromba Lontana |
| |
Two Fanfares for Orchestra: II. Short Ride in a Fast Machine |
| |
Two Fanfares for Orchestra: Short Ride in a Fast Machine |
| |
Two Fanfares for Orchestra: Tromba Lontana (feat. trumpet: Glenn Fischthal, Laurie McGaw) |
| |
Two Fanfares: 1. Tromba Lontana |
| |
Two Fanfares: 2. Short Ride in a Fast Machine |
| |
Violin Concerto I: ♩ = 78 |
| |
Violin Concerto II: Chaconne: Body Through Which the Dream Flows |
| |
Violin Concerto: I. (London Symphony Orchestra feat. conductor: Kent Nagano, violin: Gidon Kremer) |
| |
Violin Concerto: I. ♩ = 78 |
| |
Violin Concerto: I. Quarter Note = 78 |
| |
Violin Concerto: II. Chaconne: "Body Through Which the Dream Flows" (London Symphony Orchestra feat. conductor: Kent Nagano, violin: Gidon Kremer) |
| |
Violin Concerto: II. Chaconne: Body Through Which the Dream Flows |
| |
Violin Concerto: III. Toccare |
| |
Violin Concerto: III. Toccare (London Symphony Orchestra feat. conductor: Kent Nagano, violin: Gidon Kremer) |
| |
Your Honor My Client He's a Young Black Man |
