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A Recollection  |
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Act I. Introduction |
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Auf verwachsenem Pfade (Paralipomena): I. Piu mosso |
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Auf verwachsenem Pfade (Paralipomena): II. Allegro |
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Auf verwachsenem Pfade (Paralipomena): III. Vivo |
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Auf verwachsenem Pfade I: Das Käuzchen ist nicht fortgeflogen!: Andante |
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Auf verwachsenem Pfade I: Die Friedeker Mutter Gottes: Grave |
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Auf verwachsenem Pfade I: Ein verwehtes Blatt: Andante |
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Auf verwachsenem Pfade I: Es stockt das Wort!: Andante |
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Auf verwachsenem Pfade I: Gute Nacht!: Andante |
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Auf verwachsenem Pfade I: In Tränen: Larghetto |
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Auf verwachsenem Pfade I: Kommt mit!: Andante |
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Auf verwachsenem Pfade I: Sie schwatzen wie die Schwalben: Con moto |
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Auf verwachsenem Pfade I: So namenlos bange: Andante |
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Auf verwachsenem Pfade I: Unsere Abende: Moderato |
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Auf verwachsenem Pfade II: I. Andante |
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Auf verwachsenem Pfade II: II. Allegretto |
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Eine Erinnerung: Con moto |
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Fairy Tale: III. Allegro |
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From the House of the Dead: Act I. "Aljejo, podávej nitku!" (Luka) |
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From the House of the Dead: Act I. "Jak tě nazývají?" (Commandant) |
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From the House of the Dead: Act I. "Neuvidí oko již těch krajů" (Prisoners) |
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From the House of the Dead: Act I. "Přivedou dnes pána!" (Prisoners) |
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From the House of the Dead: Act I. Prelude |
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From the House of the Dead: Act II. "A... a..." (Voice from the Steppe) |
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From the House of the Dead: Act II. "Alexandr Petrovič, bude prazdnik" (Cook-prisoner) |
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From the House of the Dead: Act II. "Dnes bude můj poslední den!" (Don Juan) |
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From the House of the Dead: Act II. "Pěkně hráli, co?" (Alyeya) |
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From the House of the Dead: Act II. Pantomime "The Fair Miller's Wife" |
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From the House of the Dead: Act III, Scene I. "A já byl, bratříčku, až do svatby zpit!" (Shishkov) |
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From the House of the Dead: Act III, Scene I. "Isaj, prorok boží!" (Alyeya) |
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From the House of the Dead: Act III, Scene I. "Má dětátka milá" (Old Prisoner) |
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From the House of the Dead: Act III, Scene I. "S Filkou jste se opět spřátelili?" (Cherevin) |
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From the House of the Dead: Act III, Scene II. "Petroviči! Já jsem tě urazil" (Commandant) |
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Glagolitic Mass: II. Gospodi pomiluj (Kyrie eleison) |
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Glagolitic Mass: VII. Organ solo (Postlude) |
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Idyll for String Orchestra: V. Adagio |
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Idyll for Strings |
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Im Nebel: I. Andante |
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Im Nebel: II. Molto adagio |
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Im Nebel: III. Andante |
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Im Nebel: IV. Presto |
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In the Mist: II. Molto Adagio |
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Lachian Dances: I. Starodávný (Old-Time dance) |
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Lachian Dances: I. Starodávný I |
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Lachian Dances: II. Požehnaný |
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Lachian Dances: II. Požehnaný (Blessed) |
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Lachian Dances: III. Dymák |
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Lachian Dances: III. Dymák (Blacksmith's dance) |
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Lachian Dances: IV. Starodávný (Old-Time dance) |
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Lachian Dances: IV. Starodávný II |
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Lachian Dances: V. Čeladenský |
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Lachian Dances: V. Čeladenský (From Celadra) |
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Lachian Dances: VI. Pilky |
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Lennon-McCartney / Hey Jude |
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Mládí, JW 7/10: I. Andante |
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Mládí, JW 7/10: II. Moderato |
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Mládí, JW 7/10: III. Allegro |
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Mládí, JW 7/10: IV. Con moto |
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On an Overgrown Path [Rejected]: Più mosso |
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On the Overgrown Path, Set 1: The Bird of Ill Omen Lingers On |
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On the Overgrown Path, Set 1: The Holy Virgin of Frydek |
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On the Overgrown Path, Set 2: 4th Movement (Allegro) |
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On the Overgrown Path: A Blown-Away Leaf |
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On the Overgrown Path: Goodnight |
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Quatuor no. 1: Sonate à Kreuzer: Adagio con moto |
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Říkadla, JW 5/17 |
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Sinfonietta - Allegretto |
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Sinfonietta Des dur: 5. Allegro |
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Sinfonietta for Orchestra: V. Andante con moto |
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Sinfonietta: Allegretto |
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Sinfonietta: Allegro |
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Sinfonietta: Andante |
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Sinfonietta: I. Allegretto |
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Sinfonietta: I. Allegretto - Allegro maestoso |
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Sinfonietta: II. Andante |
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Sinfonietta: II. Andante - Allegretto |
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Sinfonietta: III. Moderato |
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Sinfonietta: IV. Allegretto |
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Sinfonietta: Moderato |
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Sinfonietta: V. Allegro |
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Sinfonietta: V. Andante con moto |
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Sonata for Violin and Piano: I. Con moto |
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Sonata for Violin and Piano: III. Allegretto |
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Sonata for Violin and Piano: IV. Adagio |
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Sonate 1.X.1905: Der Tod: Adagio |
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Sonate 1.X.1905: Die Ahnung: Con moto |
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Sonate pour violon et piano, JW 7/7: I. Con moto |
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Sonate pour violon et piano, JW 7/7: II. Ballada |
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Sonate pour violon et piano, JW 7/7: III. Allegretto |
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Sonate pour violon et piano, JW 7/7: IV. Adagio |
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String Quartet No. 1 "Kreutzer Sonata", JW 7 No. 8: I. Adagio |
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String Quartet No. 1 "Kreutzer Sonata", JW 7 No. 8: II. Con moto |
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String Quartet No. 1 "Kreutzer Sonata", JW 7 No. 8: III. Con moto - Vivace - Andante - Tempo I |
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String Quartet No. 1 "Kreutzer Sonata", JW 7 No. 8: IV. Con moto - Adagio - Maestoso. Tempo I |
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String Quartet No. 1: IV. Con moto |
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String Quartet No. 2 "Intimate Letters", JW 7 No. 13: I. Andante |
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String Quartet No. 2 "Intimate Letters", JW 7 No. 13: II. Adagio |
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String Quartet No. 2 "Intimate Letters", JW 7 No. 13: III. Moderato |
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String Quartet No. 2 "Intimate Letters", JW 7 No. 13: IV. Allegro |
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String Quartet No. 2 "Intimate Letters": II. Adagio - Vivace - Andante - Presto - Allegro - Vivo - Adagio |
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String Quartet No. 2: III. con Moto - Vivace - Andante |
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String Quartet No. 2: IV. Allegro |
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Taras Bulba: I. The Death of Andri |
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Taras Bulba: I. The Death of Andri: Moderato, quasi recitativo |
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Taras Bulba: II. The Death of Ostap |
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Taras Bulba: II. The Death of Ostap: Moderato |
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Taras Bulba: III. Prophecy and Death of Taras Bulba: Con moto |
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Taras Bulba: III. The Prophecy and Death of Taras Bulba |
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Taras Bulba: III. The Prophesy & Death of Taras Bulba |
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Věc Makropulos: Act III. "Buenos días, Maxi!" (Marty) |
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Věc Makropulos: Act III. "Nu? Slyšíte?" (Marty) |
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Věc Makropulos: Act III. "Pečítko s iniciálkou" (Gregor) |
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Věc Makropulos: Act III. "Pro lékaře!" (Kolenatý) |
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Violin Concerto "Wanderung einer Seele" |
