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April Is in My Mistress' Face |
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Canzonets or Little Short Aers to Five and Sixe Voices: Cruel, Wilt Thou Persever |
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Canzonets to 3 Voices: Though Philomela Lost Her Love |
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Canzonets to Two Voices: Miraculous Love's Wounding (feat. counter-tenor: Mark Deller, lute: Desmond Dupré) |
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Come Sorrow, Come |
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Fantasia for Instrumental Consort "La rondinella" |
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Fire and Lightning |
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First Book of Ayres: It Was a Lover and His Lass (feat. lute: Desmond Dupré) |
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First Booke of Ballets to Five Voyces: Sing We and Chant It |
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First Booke of Canzonets to Two Voyces: La Sampogna |
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I Saw My Ladye Weeping |
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In Nets of Golden Wires |
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It was a lover and his lass |
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Joyne Hands |
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Joyne Hands (arr. Beck) (The Julian Bream Consort) |
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Joyne Hands for Instrumental Consort |
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Madrigal "Doe You Not Know" |
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Madrigal "My Bonny Lass" |
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Madrigals to Foure Voyces: On a Fair Morning |
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Miraculous Love's Wounding |
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My Bonnie Lass She Smileth |
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Nolo mortem peccatoris |
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Now is the month of maying |
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O Grief Even on the Bud |
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O Mistress Mine |
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Pavan |
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Pavane |
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Sing We and Chant It |
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Song for Voice, Lute & Bass Viol "It was a Lover and his Lass" |
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Sweet Nimph Come to Thy Lover |
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The First Booke of Ayres: Aprill Is in My Mistress' Face |
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The First Booke of Balletts to Five Voyces: I Love, Alas I Love Thee |
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The First Booke of Balletts to Five Voyces: Now is the month of maying |
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The First Booke of Balletts to Five Voyces: Shoot, False Love |
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The Fitzwilliam Virginal Book No. 124: Fantasia |
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The Frog Galliard for Lute, P 23 |
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The Sacred End Pavin and Galliard: Galliard |
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The Sacred End Pavin and Galliard: Pavin |
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Thirsis and Milla |
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When Lo by Break of Morning |