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'1, 2, 3'  |
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1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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A Christmas Carol |
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A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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A Lecture by President Arthur Twining Hadley (1912) - No. 2 of Set No. 1 |
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A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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A Set of Pieces - 1. In the Cage |
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A Set of Pieces - 2. In the Inn |
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A Set of Pieces - 3. In the Night |
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A Set of Pieces for Theater or Chamber Orchestra - No. 1: Inthe Cage |
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A Song - For Anything |
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A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier) |
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A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday |
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A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day |
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A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July |
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A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day |
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Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Adagio Sostenuto (At Sea) (1912-17) |
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Aeschylus and Sophocles (1922) |
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All the Way Around and Back (1906) |
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Allegretto Sombreoso From 'Incantation' (1909) - No. 6 of Setno. 1 |
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An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier) |
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Ann Street |
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Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier) |
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At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier) |
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At the River, S. 214 |
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August, S. 216 (baritone: William Sharp, piano: Steven Blier) |
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Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Berceuse |
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Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Calcium Light Music |
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Calcium Light Night (1912) - No. 5 of Set No. 1 |
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Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Central Park in the Dark |
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Central Park in the Dark, S. 34 |
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Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Charlie Rutlage |
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Charlie Rutlage, S. 14iii |
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Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier) |
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Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier) |
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Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier) |
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December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Du alte Mutter |
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Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier) |
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Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Élégie |
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Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier) |
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Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Feldeinsamkeit |
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Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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From the Steeples and the Mountains (1901) |
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From the Steeples and the Mountains, S. 65 |
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Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier) |
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General W. Booth Enters Into Heaven (1914) |
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General William Booth Enters Into Heaven |
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General William Booth Enters Into Heaven, S. 181 |
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General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier) |
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'Gyp the Blood' or Hearst - Which Is Worst? (1912) - No. 2 of Set No. 2 |
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Halloween |
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Hallowe'en |
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Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Hymn: Largo Cantabile |
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I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier) |
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I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier) |
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Ich grolle nicht |
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Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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II. Allegretto |
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III. Fugue: Andante Moderato |
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In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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In Flanders Fields, S. 277 (arr. David Del Tredici) |
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In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier) |
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In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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In the Morning |
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IV. Very Slowly - Largo Maestroso |
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Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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La fède, S. 249 (baritone: William Sharp, piano: Steven Blier) |
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Like a Sick Eagle |
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Like a Sick Eagle (1909) - No. 4 of Set No. 1 |
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Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht) |
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Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier) |
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Memories (A) and (B) |
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Memories, S. 297 |
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Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Memories: (A) Very Pleasant; (B) Rather Sad |
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Mists (1910) |
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My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier) |
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Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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No. 2: In the Inn (Potpourri) |
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No. 3: In the Night |
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Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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On the Antipodes (1915-23) |
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On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Orchestral Set No. 2: I. An Elegy to Our Forefathers |
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Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting |
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Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose |
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Orchestral Set No.2, II, "The Rockstrewn Hills Join in the People's Outdoor Meeting" |
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Over the Pavements (1906-13) |
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Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson" (feat. viola: John Graham) |
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Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne" |
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Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau" (feat. flute: Samuel Baron) |
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Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson" |
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Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne" |
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Piano Sonata No. 2: The Alcotts |
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Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Remembrance |
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Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Robert Browning Overture, S. 27 |
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Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Scherzo, S. 84 No. 2 "Holding Your Own" |
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Scherzo: Holding Your Own |
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Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Second Orchestral Set: I. The Rockstrewn Hills Join in the People's Outdoor Meeting (Royal Concertgebouw Orchestra feat. conductor: Michael Tilson Thomas), Part 1 |
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Second Orchestral Set: II. The Rockstrewn Hills Join in the People's Outdoor Meeting (Royal Concertgebouw Orchestra feat. conductor: Michael Tilson Thomas), Part 2 |
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Serenity |
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Serenity, S. 177 (arr. John Adams) |
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Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Set No.1 - 1. The Seer |
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Set No.1 - 2. A Lecture (Tolerance) |
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Set No.1 - 3. The Ruined River (The New River) |
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Set No.1 - 4. Like a Sick Eagle |
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Set No.1 - 5. Calcium Light Night |
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Set No.1 - 6. Allegretto Sombreoso |
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Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier) |
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Slugging a Vampire |
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Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian) |
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Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier) |
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Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto |
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String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante |
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String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile |
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String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale |
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String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto |
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String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto |
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String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso |
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Study No. 20, S. 104 |
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Study No. 21, "Some South-Paw Pitching!" |
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Sunrise (1926) |
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Swimmers |
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Symphony No. 1: I. Allegro |
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Symphony No. 1: II. Adagio molto (sostenuto) |
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Symphony No. 1: III. Scherzo: Vivace |
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Symphony No. 1: IV. Allegro molto |
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Symphony No. 2, S. 2: I. Andante moderato |
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Symphony No. 2, S. 2: II. Allegro |
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Symphony No. 2, S. 2: III. Adagio cantabile |
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Symphony No. 2, S. 2: IV. Lento maestoso |
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Symphony No. 2, S. 2: IV. Lento maestoso (arr. Jonathan Elkus) |
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Symphony No. 2, S. 2: V. Allegro molto vivace |
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Symphony No. 2, S. 2: V. Finale: Allegro molto vivace (arr. Jonathan Elkus) |
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Symphony No. 2: I. Andante moderato |
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Symphony No. 2: II. Allegro |
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Symphony No. 2: III. Adagio cantablile |
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Symphony No. 2: IV. Lento maestoso |
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Symphony No. 2: V. Allegro molto vivace |
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Symphony No. 3: I. Old Folks Gatherin' |
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Symphony No. 3: II. Children's Day |
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Symphony No. 3: III. Communion |
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Symphony No. 4 - I. Prelude: Maestoso (Ives) |
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Symphony No. 4, S. 4: I. Prelude: Maestoso |
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Symphony No. 4, S. 4: II. Comedy: Allegretto |
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Symphony No. 4, S. 4: III. Fugue |
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Symphony No. 4, S. 4: III. Fugue: Andante moderato |
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Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso |
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Symphony No. 4: I. Prelude: Maestoso |
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Symphony No. 4: II. Allegretto |
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Symphony No. 4: II. Fugue: Andante moderato |
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Symphony No. 4: IV. Largo maestoso |
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Symphony No.2-1 Andante moderato |
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Symphony No.2-3 Adagio cantabile |
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Symphony No.2-4 Lento maestoso |
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Symphony No.3 - I. Old Folks Gatherin' |
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Symphony No.3 - II. Children's Day |
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Symphony No.3 - III. Communion |
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Symphony No.3-3 Communion |
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Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier) |
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The Bells of Yale (Battell Chimes or Chapel Chimes) (1897) |
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The Cage |
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The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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The Circus Band, S. 33 No. 3 |
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The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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The Gong on the Hook and Ladder (Fireman's Parade on Main Street) (1912) |
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The Gong on the Hook and Ladder or Fireman's Parade on Main Street |
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The Greatest Man |
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The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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The Housatonic at Stockbridge |
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The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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The Indians (1912) - No. 1 of Set No. 2 |
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The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier) |
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The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier) |
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The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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The New River |
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The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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The Pond (Remembrance) (1906) |
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The Pond (Remembrance), S. 40 |
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The Rainbow (So May It Be!) (1914) |
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The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier) |
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The Ruined River (1912) - No. 3 of Set No. 1 |
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The See'r (1912) - No. 1 of Set Nr. 1 |
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The Side Show |
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The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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The Things Our Fathers Loved |
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The Things Our Fathers Loved, S. 372 |
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The Unanswered Question |
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The Unanswered Question (I & II), S. 50 (feat. trumpet: Glenn Fischthal) |
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The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein), Part 1 |
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The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein), Part 2 |
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The Unanswered Question, S. 50 (original version) |
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The Unanswered Question, S. 50 (revised version) |
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The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier) |
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The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
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There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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They Are There! (A War Song March), S. 188 |
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They Are There!, S. 371 (arr. John Geist) |
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Thoreau |
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Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier) |
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Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Three Places in New England - 1. The Saint-Gaudens in Boston Common |
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Three Places in New England - 2. Putnams' Camp, Redding, Connecticut |
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Three Places in New England - 3. The Housatonic at Stockbridge |
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Three Places in New England, S. 7: Putnam's Camp, Redding, Connecticut |
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Three Places in New England, S. 7: The "St. Gaudens" in Boston Common |
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Three Places in New England, S. 7: The Housatonic at Stockbridge |
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Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Tolerance |
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Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray) |
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Tom Sails Away |
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Tom Sails Away, S. 378 |
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Tone Roads No. 1 |
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Tone Roads No. 1 (1911) |
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Tone Roads No. 3 (1915) |
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Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier) |
| |
Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush) |
| |
Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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Variations on America |
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Walking |
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Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier) |
| |
We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
| |
Weil' auf mir |
| |
West London |
| |
West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
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When Stars are in the Quiet Skies |
| |
When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich) |
| |
Where the Eagle |
| |
Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
| |
Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
| |
William Will, S. 396 (baritone: William Sharp, piano: Steven Blier) |
| |
World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
| |
Yellow Leaves |
| |
Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush) |
