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Demeter, Op. 37b  |
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Etude "In modo di una Canzone", Op. 54 No. 3 |
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I. Stala Matka bolejaca |
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II. I któz widzac tak cierpiaca |
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III. O Matko, zródlo wszechmilosci |
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IV. Spaw niech placze z Toba razem |
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Litany to the Virgin Mary, Op. 59 |
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Litany to the Virgin Mary, Op. 59: I. Dwunastodzwieczna cytaro |
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Litany to the Virgin Mary, Op. 59: II. Jak krzak skarlaly |
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Mythes, Op. 30 N° 1: La fontaine d'Aréthuse |
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Mythes, Op. 30 N° 2: Narcisse |
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Mythes, Op. 30 N° 3: Dryades et Pan |
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Myths: I. La Fontaine d'Aréthuse |
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Nocturne and Tarantella for Violin and Piano |
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Paganini Caprice in A minor, Op. 40 No. 3 |
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Paganini Caprice in D major, Op. 40 No. 1 |
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Paganini Caprice in E major, Op. 40 No. 2 |
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Romance in D major, Op. 23 |
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Roxana's Aria |
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Sinfonie concertante, Op. 60: I. Moderato - tempo comodo |
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Sinfonie concertante, Op. 60: II. Andante molto sostenuto |
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Sinfonie concertante, Op. 60: III. Allegro non troppo, ma agitato ed ansioso |
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Stabat Mater Op. 53: I. Stabat Mater dolorosa |
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Stabat Mater Op. 53: II. Quis est homo qui non fleret |
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Stabat Mater Op. 53: III. Eia Mater, fons amoris |
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Stabat Mater Op. 53: IV. Fac me tecum pie flere |
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Stabat Mater Op. 53: V. Virgo virginum praeclare |
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Stabat Mater Op. 53: VI. Christe, cum sit hinc exire |
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Stabat Mater, Op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa) |
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Stabat Mater, Op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret) |
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Stabat Mater, Op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris) |
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Stabat Mater, Op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere) |
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Stabat Mater, Op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare) |
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Stabat Mater, Op. 53: VI. Chrystus niech mi bedzie grodem (Christe, cum sit hinc exire) |
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Symphony No. 3, Op. 27 "Song of the Night": I. Moderato assai |
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Symphony No. 3, Op. 27 "Song of the Night": II. Vivace, scherzando |
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Symphony No. 3, Op. 27 "Song of the Night": III. Largo |
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Symphony, No. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!) |
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Symphony, No. 3 "Song of the Night": II. Vivace, scherzando |
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Symphony, No. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...) |
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Three Myths, Op. 30: I. Arethusa's Fountain: Poco allegro |
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Three Myths, Op. 30: II. Narcissus: Molto sostenuto - A tempo, più mosso, agitato |
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Three Myths, Op. 30: III. Dryards and Pan: Poco animato - Lento amoroso - Molto sostenuto (con passione) - Tempo primo - Adagio |
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V. Niechaj pod nim razem stoje |
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VI. Chrystus niech mi bedzie grodem |
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Violin Concerto No. 1, Op. 35: I |
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Violin Concerto No. 1, Op. 35: I. Vivace assai |
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Violin Concerto No. 1, Op. 35: I. Vivace assai - Tempo comodo: andantino - Subito vivace assai - |
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Violin Concerto No. 1, Op. 35: II |
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Violin Concerto No. 1, Op. 35: II. Vivace scherzando |
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Violin Concerto No. 1, Op. 35: II. Vivace scherzando (Fig. 52) - Tempo comodo: allegretto - Vivace - |
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Violin Concerto No. 1, Op. 35: III. Cadenza |
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Violin Concerto No. 1, Op. 35: III. Cadenza (Vivace) - Allegro moderato - Lento assai (cadenza: Pawel Kochanski) |
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Violin Concerto No. 1, Op. 35: III. Cadenza: Allegro moderato |
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Violin Concerto No. 2, Op. 61: I. Moderato |
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Violin Concerto No. 2, Op. 61: I. Moderato - Andante sostenuto - Tempo I - Cadenza - (cadenza: Pawel Kochanski) |
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Violin Concerto No. 2, Op. 61: II. Allegramente |
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Violin Concerto No. 2, Op. 61: II. Allegramente, molto energico (Fig. 26) - |
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Violin Concerto No. 2, Op. 61: III. Andantino |
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Violin Concerto No. 2, Op. 61: III. Andantino molto tranquillo (Fig. 40) -Tempo I (Allegramente, animato) |
