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"Dutch" Suite, S. -16: I. Mr. Minuit's Minuet (feat. bassoon: David McGill, tuba: Ronald Bishop)  |
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"Dutch" Suite, S. -16: II. Panther Dance (feat. bassoon: David McGill, tuba: Ronald Bishop) |
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"Dutch" Suite, S. -16: III. Dance of the Grand Dams (feat. bassoon: David McGill, tuba: Ronald Bishop) |
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"Dutch" Suite, S. -16: IV. The Lowland Fling (feat. bassoon: David McGill, tuba: Ronald Bishop) |
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"Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Theme: Windbreaker |
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"Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation I: Balloons |
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"Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation II: Slide Whistle |
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"Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation III: Slide Windbreaker |
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"Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation IV: Lasso D'Amore |
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"Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation V: Foghorn, Bell, Kazoo, Gargle |
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"Unbegun" Symphony, by Professor Schickele - III. Minuet |
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"Unbegun" Symphony, by Professor Schickele - IV. Andante -- Allegro |
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"Unbegun" Symphony: IV. Andante - Allegro (Royal P.D.Q. Bach Festival Orchestra feat. conductor: Jorge Mester) |
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1712 Overture (S.1712) |
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1712 Overture, S. 1712 |
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A Consort of Choral Christmas Carols, S. 359: Introduction |
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A Consort of Choral Christmas Carols, S.359: I. Throw the Yule Log on, Uncle John / II. O Little Town of Hackensack / III. Good King Kong Looked Out |
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Announcement |
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Aria: "Nature Gave Us Eyes" |
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Aria: "What Sweet Music" |
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Birthday Ode to "Big Daddy" Bach |
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Cadenza |
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Cantata for Strings: Blaues Gras (Bluegrass Cantata): I. Recitative "O" / II. Aria "Du Dist Im Land" |
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Cantata for Strings: Blaues Gras (Bluegrass Cantata): III. Recitative "O" / IV. Duet "Ich Sehe" |
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Cantata for Strings: Blaues Gras (Bluegrass Cantata): Recitative and Aria "Blaues Gras" |
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Cantata for Strings: Blaues Gras (Bluegrass Cantata): V. Chorale "Ich Gehe" / VI. Duet: "Sag' Mir" |
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Cantata, Iphigenia in Brooklyn, S.53162 |
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Canzon Per Sonar a Sei -- Count Them -- Sei |
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Canzonetta Intro |
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Canzonetta 'La Hooplina' |
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Capriccio "La Pucelle de New Orleans" (The Maid of New Orleans), S. under 18 |
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Chaconne à son Goût |
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Chanson:: "Toute I'année, Hey , Hey, Hey" |
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Classical Kwickie-kwiz |
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Classical Rap |
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Classical Rap (S.1-2-3) |
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Closing |
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Commercial: "If You Have Never" |
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Concerto for horn and hardart, S. 27 (french horn: Ralph Froelich, hardart: Peter Schickele) |
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Concerto for Horn and Hardart: Allegro |
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Concerto for Horn and Hardart: Introduction |
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Concerto for Horn and Hardart: Menuetto con Panna E Zucchero |
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Concerto for Horn and Hardart: Tema con Variazione |
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Concerto for Two Pianos vs. Orchestra - I. Shake allegro |
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Concerto for Two Pianos vs. Orchestra - II. Andante alighieri |
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Concerto for Two Pianos vs. Orchestra - III. Presto changio |
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Cyndi (Two Songs #2) |
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Das kleines Birdie |
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Der Cowboykönig |
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Divers Ayres On Sundrie Notions, S. 99 44/100: I. Signature theme / II. Intro / Echo Sonata for Two Unfriendly Groups of Instruments, S. 9999999999 / Tag / Station Break / Commercial "Do you suffer?" |
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Diverse Ayres on Sundrie Notions, S. 99 44/100: Hear Me Through |
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Duet: "Uh Oh" |
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Dull and Late Show: Signature Theme, Intro |
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Dull and Late Show: Sign-off, Signature Theme |
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Dull and Late Show: Tag, Station Break |
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Dull and Late Show: Time, News, Intro |
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Dull and Late Show: What's My Melodic Line? |
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Eine Kleine Nichtmusik |
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Eine Kleine Nichtmusik: Introduction |
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Enough Already |
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Epilogue |
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Es war ein dark und shtormy Night |
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Final Announcement |
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Finale: "What Hutzpah!" |
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Flip Side Intro |
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Four Folk Song Upsettings |
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Four Folk Song Upsettings (S.4): Little Bunny Hop Hop Hop |
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Fugue in C Minor (from the Toot Suite for Calliope Four Hands) |
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Fugue in C Minor (Fuga Vulgaris) for Calliope Four Hands, from the Toot Suite, S. 3.14 (Calliope four-hands: Peter Schickele & Robert Dennis) |
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Funeral Oration From "Julius Caesar" |
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Getting Ready |
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Grand Serenade for an Awful Lot of Winds & Percussion, S. 1000: I. Grand Entrance |
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Grand Serenade for an Awful Lot of Winds & Percussion, S. 1000: II. Simply Grand Minuet |
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Grand Serenade for an Awful Lot of Winds & Percussion, S. 1000: III. Romance in the Grand Manner |
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Grand Serenade for an Awful Lot of Winds & Percussion, S. 1000: IV. Rondo Mucho Grando |
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Grand Serendae For An Awful Lot Of Winds & Percussion II. Simply Grand Minuet |
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Gretchen am Spincycle |
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Half-Act Opera "The Stoned Guest" (highlights) (University of the University of Southern North Dakota at Hoople & Heavy Opera Company feat. conductor: John Nelson) |
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Hamlet's Soliloquy |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "Do You Love Me?" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "Et expecto" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "I Am a Quaint Old Inkeeper" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "I Hope You'll Take This Friendly Advice" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "I'm the Village Idiot" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "Jump Not to Conclusions" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "Just Tell Me What Your Name Is" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "Like a Lonely Pilgrim" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "My name is Hansel Hunter" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "Teddy Nice Is My Name" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - "There's Something About a Monk" |
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Hans and Gretel and Ted and Alice (S. 2n-1) - Interlude: Medical examination |
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Hans and Gretel and Ted and Alice (S. 2n-1) - Overture |
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Hänsel and Gretel and Ted and Alice |
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Heidi McKinley (Two Rounds #1) |
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Hound Dog |
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'Howdy' Symphony in D Major - I. introduzione casuale; allegro con mucho brio |
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'Howdy' Symphony in D Major - II. andante con mojo |
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'Howdy' Symphony in D Major - III. menuetto allegretto |
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'Howdy' Symphony in D Major - IV. come un pipistrello fuori dall' inferno |
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If Love Is Real (Two Songs #1) |
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In the Vanguard Vault Part 1 |
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In the Vanguard Vault, Part 2 |
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In the Vanguard Vault, Part 3 |
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Intro / Fugue in C minor, S. 212o ""Toot" Suite for Calliope Four Fands" / Tag / Station Break / What's Happening in Home Economics (Beethoven's Revenge) / Commercial "If You Have Never" / Sign-off / Signature Theme |
| |
Intro / Traumarai for Unaccompanied Piano / Station Break / Tag / Signature Theme |
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Introduction |
| |
Introduction - Chaconne à son Goût |
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Introduction - Concerto for Two Pianos vs. Orchestra (S. 2 are better than one) |
| |
Introduction - The Musical Sacrifice (S. 50% Off) |
| |
Introduction - Trio (sic) Sonata (S. 3(4)) |
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Introduction #1 |
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Introduction #2 |
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Introduction #3 |
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Introduction to "The Moose" |
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Introduction to Cyndi |
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Introduction to D'Indy's Turkey |
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Introduction to Songs From Shakespeare |
| |
Introduction: Classical Rap |
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Introduction: Four Folk Song Upsettings |
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Introduction: Grand Serenade for an Awful Lot of Wind and Percussion |
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Introduction: Knock, Knock |
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Introduction: Love Me |
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Introduction: Minuet Militaire |
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Introduction: Oedipus Tex |
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Introduction: The Musical Sacrifice |
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Introduction: The Short-Tempered Clavier |
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Iphigenia in Brooklyn, S. 53162 (Chamber Orchestra feat. conductor: Jorge Mester, bargain counter-tenor: John Ferrante, harpsichord: Leonid Hambro, trumpet mouthpiece: Seymour Platt, wine bottle: Peter Schickele) |
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Iphigenia in Brooklyn: Aria |
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Iphigenia in Brooklyn: Ground |
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Iphigenia in Brooklyn: Introduction |
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Iphigenia in Brooklyn: Recitative |
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Iphigenia in Brooklyn: Recitativie |
| |
Juliet's Soliloquy |
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Knock, Knock - I. Recitative and Chorus: "Knock, Knock" |
| |
Knock, Knock - II. Recitative and Chorus: "How Many Psychiatrists?" |
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Knock, Knock - III. Recitative and Chorus: "What Is the Question?" |
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Knock, Knock - IV. Recitative and Chorus: "So this Guy" |
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Lent, tout au moins |
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Lip My Reeds, S. 32' (feat. Tennessee Bassoon Quartet) |
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'Listen Here, Tyrannosaurus Rex' |
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Little Pickle Book: I. Toccata et Fuga Obnoxia |
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Little Pickle Book: II. Chorale Prelude (Ave Maria et Agnus Dei) |
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Little Pickle Book: III. Fantasia sopra "Fräulein Maria Mack" |
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Little Pickle Book: Introduction |
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Little Pickle Book: IV. Lullaby and Goodnight |
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Long Live the King |
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Long; Neat; Long |
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Love Me |
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Macbeth's Soliloquy |
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Madrigal, "My Bonnie Lass She Smelleth" from "The Triumphs of Thusnelda", S. 1601 |
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March of the Cute Little Wood Sprites, S. Onesy Twosy |
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March on the Rocks |
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Minuet et, tout a l'heure, trio |
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Minuet Militaire |
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Minuet Militaire (S.1A) |
| |
Minuet Militaire, S. 1A |
| |
Minute With a Twist |
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Missa Hilarious, S. N₂O: I. Yriekay |
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Missa Hilarious, S. N₂O: IV. Sanctus |
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Missa Hilarious, S. N₂O: V. Angus Dei |
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My Bonnie Lass She Smelleth |
| |
New Horizons in Music Appreciation |
| |
New Horizons in Music Appreciation: Beethoven’s Fifth Symphony (with Robert Dennis) / Sportscast / Time / Weather / News |
| |
New Horizons in Music Appreciation: Beethoven's Fifth Symphony (with Robert Dennis) |
| |
No-No Nonette for Assorted Winds and Toys, S. 86: First Movement |
| |
No-No Nonette for Assorted Winds and Toys, S. 86: Fourth Movement |
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No-No Nonette for Assorted Winds and Toys, S. 86: Last Movement |
| |
No-No Nonette for Assorted Winds and Toys, S. 86: Second Movement |
| |
No-No Nonette for Assorted Winds and Toys, S. 86: Third Movement |
| |
O Serpent |
| |
Oedipus Tex - I. Prologue: "Tragedy" |
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Oedipus Tex - II. Aria with Chorus: "Howdy There" |
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Oedipus Tex - III. Duet with Chorus: "My Heart" |
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Oedipus Tex - IV. Aria: "You Murdered Your Father" |
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Oedipus Tex - Recitative: "And It Wasn't Long" |
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Oedipus Tex - Recitative: "But" |
| |
Oedipus Tex - Recitative: "Well" |
| |
Oedipus Tex - Recitative: "When Billie Jo Heard" |
| |
Oedipus Tex - Recitative: "When Oedipus Heard" |
| |
Oedipus Tex - V. Aria with Chorus: "Goodbye" |
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Oedipus Tex - VI. Chorale and Finale |
| |
Oedipus Tex My Heart |
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Oedipus Tex: Aria with chorus: 'Howdy There' |
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Oedipus Tex: Chorale and Finale |
| |
Oedipus Tex: Recitative: 'It Wasn't Long' |
| |
Oedipus Tex: Recitative: 'When Oedipus Heard' |
| |
One for the Road |
| |
Oo-la-la Intro |
| |
Oo-La-La Introduction |
| |
Oo-La-La: Cookin' French Like the French Cook French |
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Oratorio - The Seasonings (S. 1/2 tsp.) |
| |
Oratorio "The Seasonings", S. 1/2 tsp. (Okay Chorale & Royal P.D.Q. Bach Festival Orchestra feat. conductor: Jorge Mester) |
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Peruckenstuck (Hair Piece) from 'The Civilian Barber' |
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Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Allegro moulto |
| |
Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Minaret andTrio |
| |
Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Presto Changio |
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Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Romanze I (Chi Largo) |
| |
Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Romanze II (Adagio Sereno) |
| |
Pervertimento for Bagpipes, Bicycle, and Baloons (S. 66) |
| |
Pledge Plea |
| |
Prelude to "Einstein on the Fritz", S. e=mt² |
| |
Quodlibet for Small Orchestra: Adagio |
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Quodlibet for Small Orchestra: Allegro |
| |
Quodlibet for Small Orchestra: Introduction |
| |
Report from Hoople: Commercial: "Do You Suffer?" |
| |
Report from Hoople: Echo Sonata for Two Unfriendly Groups of Instruments |
| |
Report from Hoople: Intro |
| |
Report from Hoople: New Horizons in Music Appreciation: Beethoven's Fifth Symphony |
| |
Report from Hoople: Signature Theme & Intro |
| |
Report from Hoople: Station Break |
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Report from Hoople: Station Break, Tag, Signature Theme |
| |
Report from Hoople: Time, Weather, News |
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Report from Hoople: Traumarei for Unaccompanied Piano |
| |
'Safe' Sextet |
| |
'Sam and Janet' |
| |
Sarabande Straight Up |
| |
Schleptet in E flat major - Adagio Saccharino |
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Schleptet in E flat major - Larghissimo -- Allegro Boffo |
| |
Schleptet in E flat major - Menuetto con Brio ma senza Trio |
| |
Schleptet in E flat major - Presto Hey Nonny Nonnio |
| |
Schleptet in E flat major - Yehudi Menuetto |
| |
Schleptet in E Flat Major S.0 |
| |
Schleptet in E flat major, S. 0 (I Virtuosi di Hoople feat. conductor: Peter Schickele) |
| |
Schleptet in E flat major, S. 0 / Tag / Station Break |
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Sinfonia Concertante: Andante Senza Moto |
| |
Sinfonia Concertante: Introduction |
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Sinfonia Concertante: Presto Nicht Scheppend |
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Sinfonia Concertante: Sehr Unruhig Mit Schmalz |
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Six Contrary Dances, S. 39: I. Maestoso animoso |
| |
Six Contrary Dances, S. 39: II. Daintissimo |
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Six Contrary Dances, S. 39: III. Allegro, but not too mucho |
| |
Six Contrary Dances, S. 39: IV. Molto moderato |
| |
Six Contrary Dances, S. 39: V. Vivace cucarace |
| |
Six Contrary Dances, S. 39: VI. Moving right alongo |
| |
Sonata Da Circo (Circus Sonata): Calliope Frustration |
| |
Sonata Da Circo (Circus Sonata): I. Spiel Vorspiel |
| |
Sonata Da Circo (Circus Sonata): II. Entrada Grande |
| |
Sonata Da Circo (Circus Sonata): III. Smokski the Russian Bear |
| |
Sonata Da Circo (Circus Sonata): Introduction |
| |
Sonata Da Circo (Circus Sonata): IV. Toccata Ecdysiastica |
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Station ID |
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String Quartet in F 'The Moose' - 1 - Allegro ma non troposphere |
| |
String Quartet in F 'The Moose' - 2 - Largo alla Fargo |
| |
String Quartet in F 'The Moose' - 3 - Menuetto no sweato |
| |
String Quartet in F 'The Moose' - 4 - Grave e molto deepo, Allegro con brie |
| |
Suite from 'The Civilian Barber' |
| |
The "Sanka" Cantata |
| |
The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Encore (Nelly Is a Nice Girl) |
| |
The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Golly Golly Oh |
| |
The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Jane, My Jane |
| |
The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Loving Is as Easy |
| |
The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Nelly Is a Nice Girl |
| |
The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Please, Kind Sir |
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The Mule |
| |
The Musical Sacrifice - I. Fuga Meshuga |
| |
The Musical Sacrifice - II. Sorta of Little Trio Sonata Andante; Allegro molto; Lento; Vivace |
| |
The Musical Sacrifice - III. Three Canons |
| |
The Musical Sacrifice - IV. Chaorale Prelude: "Da kommt ja der Schurke" |
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The Musical Sacrifice - V. Four More Canons |
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The Musical Sacrifice - VI. The Grossest Fugue |
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The Musical Sacrifice (S.50% off): I. Fuga Meshuga |
| |
The O.K. Chorale from the Toot Suite |
| |
The O.K. Chorale From the Toot Suite for Calliope Four Hands (S. 212o) |
| |
The Preachers of Crimetheus, Ballet in One Selfless Act, S. 998: I. Prologue: Bottomless Sorrow - Topless Gaiety |
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The Preachers of Crimetheus, Ballet in One Selfless Act, S. 998: II. The Lamentations of Jerry Maja |
| |
The Preachers of Crimetheus, Ballet in One Selfless Act, S. 998: III. Finale: Special Deliverance |
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The Queen to Me a Royal Pain Doth Give |
| |
The Seasonings: Aria: Open Sesame Seeds |
| |
The Seasonings: By the Leeks of Babylon |
| |
The Seasonings: Chorus With Soloists: To Curry Favor, Favor Curry |
| |
The Seasonings: Chorus: Tarragon of Virtue Is Full |
| |
The Seasonings: Duet: Bide Thy Thyme |
| |
The Seasonings: Duet: Summer Is a Cumin Seed |
| |
The Seasonings: Fugue for Orchestra |
| |
The Seasonings: Introduction |
| |
The Seasonings: Recitative: And There Were in the Same Country |
| |
The Seasonings: Recitative: So Saying |
| |
The Seasonings: Recitative: Then Asked He |
| |
The Seasonings: Recitative: Then She Gave In |
| |
The Short-Tempered Clavier I. C Major |
| |
The Short-Tempered Clavier: I. C major |
| |
The Short-Tempered Clavier: II. C minor |
| |
The Short-Tempered Clavier: III. C-sharp major |
| |
The Short-Tempered Clavier: IV. D major |
| |
The Short-Tempered Clavier: IX. G major |
| |
The Short-Tempered Clavier: Opening & Introduction |
| |
The Short-Tempered Clavier: V. D minor |
| |
The Short-Tempered Clavier: VI. E-flat major |
| |
The Short-Tempered Clavier: VII. F major |
| |
The Short-Tempered Clavier: VIII. G minor |
| |
The Short-Tempered Clavier: X. A major |
| |
The Short-Tempered Clavier: XI. A minor |
| |
The Short-Tempered Clavier: XII. B-flat major |
| |
The Stoned Guest: Aria 'Let's Face It I'm Lost' |
| |
The Stoned Guest: Aria 'Look at Me' |
| |
The Stoned Guest: Aria 'Now Is the Season' |
| |
The Stoned Guest: Duet 'Woe' |
| |
The Stoned Guest: Finale 'O Saviour' |
| |
The Stoned Guest: Intermission Feature: Opera Whiz |
| |
The Stoned Guest: Introduction |
| |
The Stoned Guest: Overture |
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The Stoned Guest: Plot Synopsis |
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The Stoned Guest: Quartet 'Don Octave' |
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The Stoned Guest: Recitative 'Boy' |
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The Stoned Guest: Recitative 'Gesundheit' |
| |
The Stoned Guest: Recitative 'Hark!' |
| |
The Stoned Guest: Recitative 'That's the End' |
| |
The Stoned Guest: Recitative: 'I Hate to Interrupt' |
| |
The Stoned Guest: Trio: 'I'm Sure I'd Be' |
| |
The Three Witches From 'Macbeth' |
| |
The Triumphs of Thusnelda, No. 1: My Bonnie Lass She Smelleth, S. 1601 (Amateur Musica Antiqua of Hoople) |
| |
Theme Song (Pachelbel Canon) |
| |
Theme Song: Opening |
| |
This is Professor Pete |
| |
Three Chorale-Based Piecelets: I. Chorale: "Orally" |
| |
Three Chorale-Based Piecelets: II. Chorale Prelude on an American Hymn for the Last Sunday Before the Fourth Day of the Seventh Month After New Year's Eve |
| |
Three Chorale-Based Piecelets: III. Chorale Variations on "In der Nacht so Hell, der Petrus istmein Freund" |
| |
Three Chorale-Based Piecelets: Introduction |
| |
Tout a coup le bout |
| |
Trio (sic) Sonata - I. Antermezzo |
| |
Trio (sic) Sonata - II. Mezzo |
| |
Trio (sic) Sonata - III. Intermezzo |
| |
Trio (sic) Sonata - IV. I'Altro Mezzo |
| |
Unbegun Symphony |
| |
Vite, tout de suite |
| |
Weather Report |
| |
What's Happening in Home Economics (Beethoven's Revenge) |
| |
What's My Melodic Line? |
| |
What's My Melodic Line? (I Virtuosi di Hoople feat. conductor: Peter Schickele) |
| |
What's My Melodic Line? / Time / News |
| |
Wrap-up |
| |
WTWP Station ID |
