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「グリーンスリーヴズ」幻想曲  |
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5 Variants of Dives and Lazarus |
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5 Variants on Dives & Lazarus |
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A London Symphony - II. Lento |
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A London Symphony (Symphony No. 2): I. Lento - Allegro risoluto |
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A London Symphony (Symphony No. 2): II. Lento |
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A London Symphony (Symphony No. 2): III. Scherzo (Nocturne) - Allegro vivace |
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A London Symphony (Symphony No. 2): IV. Andante con moto - Maestoso alla marcia |
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A London Symphony: I. Lento |
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A Sea Symphony (Symphony No.1): I. A Song for All Seas, All Ships (Moderato maestoso) / 1. Behold, the sea itself (chorus) |
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A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 5. Greater than stars or suns (chorus, soprano & baritone) |
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A Sea Symphony: Behold, the Sea Itself |
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Aristophanic Suite "The Wasps": IV. Entr'acte |
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Aristophanic Suite "The Wasps": V. Ballet and Final Tableau |
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Aristophanic Suite 'The Wasps': Entr'acte No.1 |
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Aristophanic Suite 'The Wasps': March of the Kitchen Utensils |
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Aristophanic Suite 'The Wasps': Overture |
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Coastal Command: Dawn Patrol |
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Come Down, O Love Divine "Down Ampney" |
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Concerto Accademico in D minor for Violin and Orchestra |
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Concerto for two pianos and orchestra in C major: I. Toccata: Allegro moderato |
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Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 1 |
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Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 2 |
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Concerto Grosso: I. Intrada |
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Concerto Grosso: II. Burlesca Ostinata |
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Concerto Grosso: III. Sarabande |
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Concerto Grosso: IV. Scherzo |
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Concerto Grosso: V. March And Reprise |
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Concerto in A minor for Oboe and Strings: I. Rondo Pastorale |
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Dona nobis pacem: I. "Agnus Dei" (Lento) |
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Dona nobis pacem: I. Agnus Dei |
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Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato) |
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Dona nobis pacem: III. Reconciliation (Andantino) |
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Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia) |
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Dona Nobis Pacem: IV. Dirge for Two Veterans (Walt Whitman) |
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Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo) |
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Dona Nobis Pacem: V. The Angel of Death (John Bright) |
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Dona nobis pacem: VI. "O man greatly beloved" |
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Dona nobis pacem: VI. O Man Greatly Beloved |
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English Folk Song Suite (arr. Gordon Jacob): I. March (Seventeen Come Sunday) |
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English Folk Song Suite (arr. Gordon Jacob): II. Intermezzo (My Bonny Boy) (London Symphony Orchestra) |
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English Folk Song Suite (arr. Gordon Jacob): III. March (Folk Songs from Somerset) (London Symphony Orchestra) |
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English Folk Song Suite: I. March "Seventeen come Sunday" |
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English Folk Song Suite: I. March (Seventeen Come Sunday) (London Symphony Orchestra) |
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English Folk Song Suite: I. March: Seventeen Come Sunday |
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English Folk Song Suite: II. Intermezzo "My Bonny Boy" |
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English Folk Song Suite: II. Intermezzo (My Bonny Boy) (London Symphony Orchestra) |
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English Folk Song Suite: II. Intermezzo: My Bonny Boy |
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English Folk Song Suite: III. March (Folk Songs from Somerset) (London Symphony Orchestra) |
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English Folk Song Suite: III. March: Folk Songs From Somerset |
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English Folk Song Suite: Seventeen Come Sunday / My Bonny Boy / Folk Songs From Somerset |
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English Folksong Suite: Folk Songs from Somerset (Academy of St-Martin-in-the-Fields, conductor: Sir Neville Marriner) |
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English Folksong Suite: Seventeen come Sunday (Academy of St-Martin-in-the-Fields, conductor: Sir Neville Marriner) |
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English Folksongs Suite - 3rd movement |
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Fantaisie sur Greensleeves |
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Fantaisie sur 'Greensleeves' |
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Fantaisie sur Greensleeves (feat. London Chamber Orchestra, conductor: Christopher Warren-Green) |
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Fantasia on "Greensleeves" |
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Fantasia on "Greensleeves" (Academy of St Martin-in-the-Fields, conductor: Sir Neville Marriner) |
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Fantasia on "Greensleeves" (feat. violin: David Nadien) |
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Fantasia on a Theme by Thomas Tallis |
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Fantasia on a Theme by Thomas Tallis (London Philharmonic Orchestra) |
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Fantasia on a Theme by Thomas Tallis (Sinfonia of London feat. conductor: Sir John Barbirolli) |
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Fantasia on a Theme of Thomas Fallis |
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Fantasia on a Theme of Thomas Tallis |
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Fantasia On Christmas Carols |
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Fantasia on Christmas Carols (London Symphony Chorus & Orchestra feat. conductor: Richard Hickox, baritone: Stephen Roberts) |
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Fantasia on Christmas Carols: Come All You Worthy Gentlemen- |
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Fantasia on Christmas Carols: God Bless the Ruler of This House |
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Fantasia on Christmas Carols: On Christmas Night All Christians Sing- |
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Fantasia on Christmas Carols: This Is the Truth Sent From Above- |
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Fantasia on Greensleeves |
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Fantasia on 'Greensleeves' |
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Fantasia on Greensleeves (arr. Ralph Greaves) (London Symphony Orchestra) |
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Fantasia on Greensleeves (arr. trumpet & organ) |
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Fantasia on Greensleeves (London Symphony Orchestra) |
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Fantasia on 'Greensleeves' (Sir John in Love) |
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Five English Folksongs: 1. The Dark-eyed Sailor |
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Five English Folksongs: 4. The Lover's Ghost |
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Five English Folksongs: 5. Wassail Song |
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Five Mystical Songs: No. 1. Easter |
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Five Mystical Songs: No. 2. I Got me Flowers |
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Five Mystical Songs: No. 3. Love Bade me Welcome |
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Five Mystical Songs: No. 4. The Call |
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Five Mystical Songs: No. 5. Antiphon |
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Five Variants of "Dives and Lazarus" |
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Five Variants of «Dives and Lazarus» |
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Five Variants of Dives and Lazarus |
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Five Variants of 'Dives and Lazarus' |
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Five Variants of 'Dives and Lazarus' (City of Birmingham Symphony Orchestra feat. conductor: Norman Del Mar) |
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Five Variants of Dives and Lazarus: Adagio |
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Five Variants of Dives and Lazarus: I. <crotchet> = <crotchet> |
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Five Variants of Dives and Lazarus: II. Allegro moderato |
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Five Variants of Dives and Lazarus: III. <crotchet> = 150 |
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Five Variants of Dives and Lazarus: IV. L'istesso tempo |
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Five Variants of Dives and Lazarus: V. Adagio |
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Five Variants on Dives and Lazarus |
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Flos Campi - Suite |
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Folk Song Suite: Intermezzo: My Bonny Boy |
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Folk Song Suite: March: Folk Songs from Somerset |
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Folk Song Suite: March: Seventeen Come Sunday |
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Greensleeves |
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Greensleeves Fantasia |
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Hodie: I. Prologue: Nowell! Nowell! |
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Hodie: II. Narration: Now the Birth of Jesus Christ |
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Hodie: III. Song: It Was the Winter Wild |
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Hodie: IV. Narration: And It Came to Pass in Those Days |
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Hodie: IX. Pastoral: The Shepherds Sing |
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Hodie: V. Choral: The Blessed Son of God |
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Hodie: VI. Narration: And There Were in the Same Country |
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Hodie: VII. Song: The Oxen (Christmas Eve, and Twelve of the Clock) |
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Hodie: VIII. Narration: And the Shepherds Returned |
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Hodie: X. Narration: But Mary Kept All These Things |
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Hodie: XI. Lullaby: Sweet Was the Song the Virgin Sang |
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Hodie: XII. Hymn: Bright Portals of the Sky |
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Hodie: XIII. Narration: Now When Jesus Was Born |
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Hodie: XIV. The March of the Three Kings: From Kingdoms of Wisdom |
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Hodie: XV. Choral: No Sad Thought His Soul Affright |
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Hodie: XVI. Epilogue: In the Beginning Was the Word |
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Hymn-Tune Prelude on 'Eventide' (Dordt College Chamber Orchestra) |
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I Saw Three Ships |
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In the Fen Country |
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In the Fen Country (New Philharmonia Orchestra) |
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Job - A Masque for Dancing: Scene I: Saraband of the Sons of God |
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Job - A Masque for Dancing: Scene V: Dance of the Three Messengers |
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Job - A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning |
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Job, A Masque for Dancing, ballet: Scene 1: Saraband of the Sons of God |
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Job, A Masque for Dancing, ballet: Scene 3: Minuet of the Sons of Job and Their Wives |
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Job, A Masque for Dancing, ballet: Scene 4: Job's Dream |
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Job, A Masque for Dancing, ballet: Scene 5: Dance of the Three Messengers |
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Job, A Masque for Dancing, ballet: Scene 7: Elihu's Dance of Youth and Beauty |
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Job, A Masque for Dancing, ballet: Scene 7: Pavane of the Sons of the Morning |
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Job, A Masque for Dancing, ballet: Scene 8: Altar Dance |
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Job: A Masque for Dancing, Scene I: Introduction |
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Job: A Masque for Dancing, Scene II: Satan's dance of triumph |
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Job: A Masque for Dancing, Scene III: Minuet of the sons of Job and their wives |
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Job: A Masque for Dancing, Scene IX: Epilogue |
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Job: A Masque for Dancing, Scene V: Dream of the three messengers |
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Job: A Masque for Dancing, Scene VI: Dance of Job's comforters |
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Job: A Masque for Dancing, Scene VII: Elihu's dance of youth and beauty |
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Job: A Masque for Dancing, Scene VII: Pavane of the sons of the morning |
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Job: A Masque for Dancing, Scene VIII: Galliard of the sons of the morning |
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Job: A Masque for Dancing: IX. Epilogue |
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Job: A Masque for Dancing: VIIIb. Altar Dance |
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Linden Lea |
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Linden Lea - A Dorset Song |
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Mass in G minor: 1. Kyrie |
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Mass in G minor: 2. Gloria |
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Mass in G minor: 3. Credo |
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Mass in G minor: 4. Sanctus |
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Mass in G minor: 5. Agnus Dei |
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Mass in G minor: Agnus Dei |
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Mass in G minor: Credo |
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Mass in G minor: Gloria in excelsis |
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Mass in G minor: Kyrie |
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Mass in G minor: Sanctus - Osanna I |
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Mass in G minor: Sanctus / Benedictus |
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Master and Commander: The Far Side of the World; Fantasia on a Theme by Thomas Tallis (London Philharmonic Orchestra, feat. conductor: Sir Adrian Boult) |
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Mystical Songs, No. 5: Antiphon "Let All the World in Every Corner Sing" |
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Norfolk Rhapsody for orchestra No. 1 in E minor (New Philharmonia Orchestra) |
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Norfolk Rhapsody No. 1 |
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Norfolk Rhapsody No. 1 (New Philharmonia Orchestra feat. conductor: Sir Adrian Boult) |
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Norfolk Rhapsody No. 1 in E minor |
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Norfolk Rhapsody No.1 |
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O Taste and See |
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O vos omnes |
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Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato) |
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Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato) |
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Oboe Concerto in A minor: III. Finale (Scherzo) (Presto - Lento - Presto) |
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Oboe Concerto: I. Rondo Pastorale |
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Oboe Concerto: I. Rondo Pastorale (feat. oboe: Celia Nicklin) |
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Oboe Concerto: II. Minuet and Musette |
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Oboe Concerto: II. Minuet And Musette (feat. oboe: Celia Nicklin) |
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Oboe Concerto: III. Finale (feat. oboe: Celia Nicklin) |
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Oboe Concerto: III. Scherzo |
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Overture From "The Wasps" - Aristophanic Suite |
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Overture: The Wasps |
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Partita: I. Prelude: Andante tranquillo |
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Partita: II. Scherzo ostinato: Presto |
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Partita: III. Intermezzo (Homage to Henry Hall) |
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Partita: IV. Fantasia: Allegro |
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Phantasy Quintet: I. Prelude: Lento ma non troppo |
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Phantasy Quintet: II. Scherzo: Prestissimo |
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Phantasy Quintet: III. Alla sarabanda: Lento |
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Phantasy Quintet: IV. Burlesca: Allegro moderato |
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Rest |
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Romance (For Harmonica, Strings & Piano) (feat. harmonica: Tommy Reilly) |
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Sancta Civitas: And I saw a new heaven (Adagio) |
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Sancta Civitas: And I saw a pure river |
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Sancta Civitas: And I saw an angel standing in the sun (Meno mosso) |
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Sancta Civitas: And I saw Heaven opened (Allegro) |
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Sancta Civitas: Babylon the great is fallen (Lento) |
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Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato) |
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Sancta Civitas: Holy, Holy, Holy (Andante sostenuto) |
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Sancta Civitas: I was in the spirit (Lento) |
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Sancta Civitas: Rejoice over her O Heavens (Allegro moderato) |
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Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
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Sea Songs |
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Serenade To Music |
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Serenade to Music (London Symphony Orchestra) |
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Silence and Music |
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Silent Noon |
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Sinfonia Antartica (Symphony No. 7): III. Landscape: Lento |
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Sinfonia Antartica (Symphony No. 7): IV. Intermezzo: Andante sostenuto |
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Sinfonia Antartica (Symphony No. 7): V. Epilogue: Alla marcia |
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Sir John in Love: Fantasia on Greensleeves |
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Six Studies in English Folksong: Allegro vivace |
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Six Studies in English Folksong: I. Adagio |
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Six Studies in English Folksong: II. Andante sostenuto |
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Six Studies in English Folksong: III. Larghetto |
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Six Studies in English Folksong: IV. Lento |
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Six Studies in English Folksong: V. Andante tranquillo |
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Songs of Travel - Bright is the ring of words |
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Songs of Travel - I have trod the upward and the downward slope |
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Songs of Travel - In Dreams |
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Songs of Travel - Let Beauty awake |
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Songs of Travel - The infinite shining heavens |
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Songs of Travel - The Roadside Fire |
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Songs of Travel - The Vagabond |
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Songs of Travel - Whither I must wander? |
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Songs of Travel - Youth and Love |
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Songs of Travel: I. The Vagabond |
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Songs of Travel: II. Let Beauty Awake |
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Songs of Travel: III. The Roadside Fire |
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Songs of Travel: IV. Youth and Love |
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Songs of Travel: IX. I Have Trod the Upward and the Downward Slope |
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Songs of Travel: The Vagabond |
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Songs of Travel: V. In Dreams |
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Songs of Travel: VI. The Infinite Shining Heavens |
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Songs of Travel: VII. Whither Must I Wander? |
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Songs of Travel: VIII. Bright Is the Ring of Words |
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String Quartet No. 1 in G minor: I. Allegro moderato |
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String Quartet No. 1 in G minor: II. Minuet and Trio: Tempo di minuetto |
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String Quartet No. 1 in G minor: III. Romance: Andante sostenuto |
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String Quartet No. 1 in G minor: IV. Finale: Rondo Capriccioso - Allegro molto |
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String Quartet No. 2 in A minor: I. Prelude: Allegro appassionato |
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String Quartet No. 2 in A minor: II. Romance: Largo |
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String Quartet No. 2 in A minor: III. Scherzo: Allegro |
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String Quartet No. 2 in A minor: IV. Epilogue: Andante sostenuto |
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Studies In English Folksong, Number 1 |
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Studies In English Folksong, Number 2 |
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Studies In English Folksong, Number 3 |
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Studies In English Folksong, Number 4 |
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Studies In English Folksong, Number 5 |
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Studies In English Folksong, Number 6 |
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Symphony No, 6 in E minor, I. Allegro |
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Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships |
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Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone |
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Symphony No. 1 "A Sea Symphony": III. Scherzo: The Waves |
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Symphony No. 1 "A Sea Symphony": IV. The Explorers |
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Symphony No. 2 "A London Symphony": I. Lento; Allegro risoluto |
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Symphony No. 2 "A London Symphony": II. Lento |
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Symphony No. 2 "A London Symphony": III. Scherzo (Nocturne) |
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Symphony No. 2 "A London Symphony": IV. Andante con moto; Maestoso alla marcia; Lento; Epilogue |
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Symphony No. 2 in G major "A London Symphony": I. Lento - Allegro risoluto |
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Symphony No. 2 in G major "A London Symphony": II. Lento |
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Symphony No. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino |
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Symphony No. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento |
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Symphony No. 3, "Pastoral": I. Molto moderato |
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Symphony No. 3, "Pastoral": II. Lento moderato |
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Symphony No. 3, "Pastoral": III. Moderato pesante |
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Symphony No. 3, "Pastoral": IV. Lento - Moderato maestoso |
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Symphony No. 4 in F minor, I. Allegro |
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Symphony No. 4 in F minor: II. Andante moderato |
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Symphony No. 4 in F minor: III. Scherzo - Allegro molto |
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Symphony No. 5 in D major: I. Preludio: Moderato |
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Symphony No. 5 in D major: II. Scherzo: Presto |
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Symphony No. 5 in D major: III. Romanza: Lento |
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Symphony No. 5 in D major: IV. Passacaglia: Moderato |
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Symphony No. 5 in D: I. Preludio (Moderato - Allegro - Tempo I) |
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Symphony No. 5 in D: I. Preludio (Moderato) |
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Symphony No. 5 in D: II. Scherzo (Presto misterioso) |
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Symphony No. 5 in D: III. Romanza (Lento) |
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Symphony No. 5 in D: IV. Passacaglia (Moderato) |
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Symphony No. 6 in E minor: I. Allegro |
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Symphony No. 6 in E minor: II. Moderato |
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Symphony No. 6 in E minor: III. Scherzo: Allegro vivace |
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Symphony No. 6 in E minor: IV. Epilogue: Moderato |
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Symphony No. 6: I. Allegro |
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Symphony No. 6: II. Moderato |
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Symphony No. 6: III. Scherzo: Allegro vivace |
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Symphony No. 6: IV. Epilogue: Moderato |
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Symphony No. 7 "Sinfonia Antartica": I. Prelude (Andante maestoso) |
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Symphony No. 7 "Sinfonia Antartica": II. Scherzo (Moderato) |
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Symphony No. 7 "Sinfonia Antartica": III. Landscape (Lento) |
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Symphony No. 7 "Sinfonia Antartica": IV. Intermezzo (Andante sostenuto) |
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Symphony No. 7 "Sinfonia Antartica": V. Epilogue (Alla marcia, moderato: non troppo allegro) |
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Symphony No. 7, "Sinfonia Antartica": I. Prelude. Maestoso |
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Symphony No. 7, "Sinfonia Antartica": II. Scherzo. Moderato |
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Symphony No. 7, "Sinfonia Antartica": III. Landscape. Lento |
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Symphony No. 7, "Sinfonia Antartica": IV. Intermezzo. Andante sostenuto |
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Symphony No. 7, "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato (non troppo allegro) |
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Symphony No. 8 in D minor: I. Fantasia (Variazioni senza tema) |
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Symphony No.2 - London Symphony |
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Symphony No.6, First Movement |
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Te Deum in G |
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The Blessed Son of God |
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The Call from Five Mystical Songs |
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The Cloud-Capp'd Towers |
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The House of Life - Death In Love |
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The House of Life - Heart's Haven |
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The House of Life - Love - Sight |
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The House of Life - Love's Last Gift |
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The House of Life - Love's Minstrels |
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The House of Life - Silent Noon |
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The House of Life: I. Love-sight |
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The House of Life: II. Silent Noon |
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The House of Life: III. Love's Minstrels |
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The House of Life: IV Heart's Haven |
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The House of Life: V. Death in Love |
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The House of Life: VI. Love's Last Gift |
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The Lake in the Mountains |
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The Lark Ascending |
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The Lark Ascending (excerpt) (feat. violin: Nigel Kennedy) |
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The Lark Ascending (For Violin And Orchestra) (feat. violin: Iona Brown) |
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The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean) |
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The Lark Ascending (New Philharmonic Orchestra, feat. violin: Hugh Bean) |
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The Pilgrim's Progress, Sir Adrian in Rehearsal: Act I, Nocturne |
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The Pilgrim's Progress, Sir Adrian in Rehearsal: Act II, Scene 1 |
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The Pilgrim's Progress, Sir Adrian in Rehearsal: Act III, Scene 1 |
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The Pilgrim's Progress, Sir Adrian in Rehearsal: Act IV, Scene 1 |
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The Pilgrim's Progress, Sir Adrian in Rehearsal: Act IV, Scene 2 |
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The Pilgrim's Progress: Act I: Nocturne (Intermezzo) |
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The Pilgrim's Progress: Act I: Scene 2: The House Beautiful |
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The Pilgrim's Progress: Act II: Scene 1: The Arming of the Pilgrim |
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The Pilgrim's Progress: Act II: Scene 2: The Pilgrim Meets Apollyon |
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The Pilgrim's Progress: Act III: Scene 1 Vanity Fair: "Buy! What will ye buy?" |
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The Pilgrim's Progress: Act III: Scene 2: The Pilgrim in Prison |
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The Pilgrim's Progress: Act IV: Entr'acte, Scene 2: The Delectable Mountains |
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The Pilgrim's Progress: Act IV: Scene 2: "The Lord is my Shepherd" |
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The Pilgrim's Progress: Act IV: Scene 2: "Who so dwelleth" |
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The Pilgrim's Progress: Act IV: Scene 3: The Pilgrim Reaches the End of his Journey |
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The Pilgrim's Progress: Prologue. Bunyan in Prison |
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The Sons of Light: I. Darkness and Light |
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The Sons of Light: II. The Song of the Zodiac |
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The Sons of Light: III. The Messengers of Speech |
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The Souls of the Righteous |
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The Turtle Dove |
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The Vagabond |
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The Voice out of the Whirlwind |
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The Wasps |
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The Wasps, Aristophanic Suite, for orchestra from the incidental music: Overture |
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The Wasps, Overture |
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The Wasps: Ballet and Final Tableau |
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The Wasps: I. Overture (London Philharmonic Orchestra) |
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The Wasps: March Past of the Kitchen Utensils (London Philharmonic Orchestra) |
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The Wasps: Overture |
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The Wasps: Overture (London Philharmonic Orchestra) |
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Thomas Tallis Fantasia |
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Three Shakespeare Songs: 1. Full Fathom Five |
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Three Shakespeare Songs: 2. The Cloud-capp'd Towers |
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Toccata Marziale |
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Toward the Unknown Region |
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Tuba Concerto: I. Prelude: Allegro moderato |
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Tuba Concerto: II. Romanza: Andante sostenuto |
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Tuba Concerto: III. Finale - Rondo alla tedesca: Allegro |
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Valiant for Truth |
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Variations for Orchestra |
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Variations for Wind Band: Theme |
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Variations For Wind Band: Variation I. Poco tranquillo |
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Variations For Wind Band: Variation II. Tranquillo cantabile |
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Variations For Wind Band: Variation III. Allegro |
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Variations For Wind Band: Variation IV. Allegro (Canon) |
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Variations For Wind Band: Variation IX. Adagio |
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Variations For Wind Band: Variation V. Moderato sostenuto |
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Variations For Wind Band: Variation VI. Tempo di Valse |
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Variations For Wind Band: Variation VII. Arabesque; Andante sostenuto |
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Variations For Wind Band: Variation VIII. Alla polacca |
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Variations For Wind Band: Variation X. Allegro moderato (Fugata) |
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Variations For Wind Band: Variation XI. Chorale |
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Violin Sonata in A minor: I. Fantasia: Allegro giusto |
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Violin Sonata in A minor: II. Scherzo: Allegro furioso ma non troppo |
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Violin Sonata in A minor: III. Tema con Variazioni: Andante |
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Willow-Wood |
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With Rue My Heart Is Laden (Along the Field) |
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揚げひばり（終結部） |
