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1st Divider (In the State of Three Doors the Bridging of One Throught Direction Is to Remain Yet to Another; To Each Former Outlook, the Perspective Becomes Even More Abstracted Beyond Any Internal Level)  |
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2nd Divider (The Divider of the Hall Outside the Foundations of the Kitchen) |
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9:26pm (Re-Birth of Self Within the Lifeform of the Kitchen, Forgetting All Past Experienced Cycles) |
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Birth of Fade Out (At 6am on a Sunday Morning) |
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Bug-Capper |
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Clicker |
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Consumption |
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Decayer |
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De-Trop |
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Din Shader |
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Din-Cycle |
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Dinker Trop |
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Egress (Towards Retraction of All Points) |
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End-Dip (Mind Odyssey/State One) (Lost of Any Relation to a Degree of State, the Flow Moves Onwards) |
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EQ-Shader |
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Eska-Flex |
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Flick |
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Hex-Shader |
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HissTronic |
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Link-Op |
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Mini-Trop |
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Odyssey to Fade Out (Mind Odyssey/State Three) (Standing From the Back of a Carpark to the Drop Out of All Life; The Systems of Compulsion, One Move Sucks to Another, the Self of Formations as to Point One's Self in One Major Direction. It Is a Move to T |
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Pro-Hiss |
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Recess (Point Two) |
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Reclusion (Outlook Two) (From the Walls of Seclusion) |
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Release (Point Three) (Myself Beyond the Point as a Real Person in Three Points) |
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Release of Dislocation (State Three) (Absent Forms Without Any Resentment) |
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Release of Dislocation (Through Desperation) (State Four) (One Road Leads to Another but Never at the Same Forseeable Way; The Carpark Is a Lie, the Formation of the Release Is a Catch) |
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Resectioned From Despair (Lost at the Opening From a Location Without Breathing) |
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Restraint (Point One) |
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Rhythm Shift |
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Rip Flex |
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Seclusion (Outlook One) |
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Self-Separation Through Dislocation (State One) |
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Self-Separation Through Dislocation (State Two) |
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Sequester |
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Seq-Viod |
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Slip Link |
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Sub-Fadeback (The Loss of Control Now Takes Over; The Beginning of the Present Out-State Cannot Continue Onward. There Will Be Only Decay.) |
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Syn Flex Dump |
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Tapper Flex |
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The 1st Self-Less Reflection |
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The 2nd Self-Less Reflection |
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The Act (Mind Odyssey/State Two) (Sub-Movement Towards the Re-Enactment Until a Point of Unrecognisable Sickness Overrides and the Premonition Breaks Down as Before Into a Mass of Unresolved Emotions) |
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The Cross Fade (The Turning Point to a Cross Fade in a Carpark) |
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The Fade Out (In the Black State All Direction Is Lost Void to All Extensions Inside the Four Walls of Selfless Contradiction, Closing Down All Aspects of Drive to a Point of Decimation. There Nothing Remains as Relevant.) |
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The Lost State (Entropy/Descent Back to the Carpark, as an Intervention to Dissolution. The Beginning of the Lost State Throughout One Long Transgression to Another; There Was No Real Different From One to the Other.) |
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The Outcast (Rejection Enforcement Takes Hold) |
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The Rut (The Point of Recall Is No Longer the Grasp of Stability as a Result Direction Can Never Be the Same) |
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The State of Change (Hallway to the Kitchen) |
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The Turning Point (The Cycle Continues in One Direction) |
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Topper-Flex |
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Towards the Centre (Out Across Both Ways Before or After There Is No Difference) |
