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A little later in this interlude... |
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A number of further motives... |
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A second, much smaller family... |
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Along another, more complex line... |
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Besides This Family of Motives... (Examples 177-180) |
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Closely Associated With Gutrune's Motive... (Examples 136-140) |
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Complementary to This Symbol... (Examples 147-149) |
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Even More Masterly... (Examples 184-188) |
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Freia's Motive has two independent segments... |
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Here We Come to the End... (Examples 141-146) |
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In Act Two of "Walküre"... |
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In the Final Scene of Götterdämmerung... (Examples 181-183) |
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Ironically, This Phrase... (Examples 131-135) |
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Later in the same scene... |
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Love is another of the central symbols... |
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Now If We Return... (Examples 189-191) |
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Of all great musical compositions... |
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One Further Motive Belongs... (Example 121) |
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One Further Motive Connected... (Examples 158-161) |
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One Last Central Symbol... (Examples 150-157) |
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Our Final Example... (Examples 10, 181, 182) |
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Quite a Number of the Subsidiary Motives... (Examples 172-176) |
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Returning now to Act Two of "Walküre"... |
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Returning now to the Nature Motive... |
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Several other motives... |
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So much for nature. |
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The basic motive associated with the spear... |
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The cause of the deterioration... |
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The Characters in Whose Lives... (Examples 115-120) |
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The fundamental symbol... |
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The label 'Flight'... |
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The Other New Motive... (Examples 104-109) |
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The other transformation... |
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The Sword Motive Recurs... (Examples 122-130) |
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There Are One or Two Motives... (Examples 162-168) |
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There Are Several Independent Love-Motives... (Examples 110-114) |
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These Motives of Alberich and Mime... (Examples 169-171) |
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This Masterly Way... (Examples 192, 193) |
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Two further motives... |
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When Fasolt, in Scene Two of "Rhinegold"... |