| |
|
"Bang!" |
|
"Controller of the Instrument" #1 |
|
"Controller of the Instrument" #2 |
|
"Reasoning Noise" |
|
'"Robolized" Atomium Dawn Chorus' |
|
... The Non-Medical Use of Microphones |
|
......... |
|
[untitled] |
|
A Circle of Salt |
|
A Comprehension Exercise |
|
Á ég að halda áfram? |
|
A Luna Kanula |
|
A Sound & Colour Analogy |
|
A Thirsty File / The Dirty Fire |
|
A Thirsty Fish |
|
A Thirsty Fish/The Dirty Fire |
|
Acoustic Lens Facsimile |
|
Albification / Solification / Nigredo |
|
All Largely Propaganda |
|
All, All, All |
|
Alternation, Perception & Resistance |
|
An Ecological Park |
|
An Introduction to Go |
|
Āśis |
|
Au Delà |
|
Battery Eyes |
|
Before / Materia Confusa |
|
Behind You! |
|
Being a Firefighter Isn't Just About Squirting Water |
|
Binocular Woman |
|
Blanket Level Approach #3 |
|
Buggy White Flings |
|
Bull Baiting / Empty Rooms and Their Occupants / Splitting the Stick / The Vowel Flame / Callibre / Sec Check / Eloise C |
|
Calcination / Aqua Ardens / Sublimation |
|
Captation #7:"Transilient Membranes" |
|
Captation #9: "Sareköbe" |
|
Catoptromancy |
|
Cephalonmancy |
|
Ceraunomancy |
|
Ceromancy |
|
Condensation / Crystallization |
|
Coscinomancy |
|
Crithomancy |
|
Cromnyomancy |
|
Crucible |
|
Echoes in the Body |
|
Extract From "Hotondo Kiri Torenai" #1 |
|
Extracts From "Hotondo Kiri Torenai" #2 |
|
Extracts From Exercises in Cunjunction With the Emotional Responses Incurred During a Performance of "BURST" |
|
Family Voices |
|
Figure |
|
Five Hours |
|
Flying |
|
Four Hours |
|
Gold From the Blackness / After |
|
Grey Voices |
|
Ground |
|
Hören sie den nicht das Schreien ringsum das man Gewönlich stille heißt? |
|
Horse |
|
Humectation / Dessication / Oligarchy / The Campaign / A Confession / Actualisation / Some Unfolding / Possibile Cilmination / Involution (required) |
|
Hydrofan |
|
I Never Knew That's Who You Thought You Were |
|
I Remain...... |
|
Imsak |
|
In the Cradle |
|
Inherent Aggression |
|
Initiation / Ascent / Purgatory No. 1 - 'Remorse' / Purgatory No. 2 - 'Work' / Descent / Consecration |
|
Introductory Function |
|
Jenseits |
|
Journey in the Dark / The Inner / Words of Power |
|
Kisses With Both Hands From Gods Little Toy |
|
Kuklos |
|
Last Extant Recording From "The Guard Bridge" - 403.34 |
|
Lexington '59 |
|
Location Screening Exercise |
|
M.N.O. Gol'fish |
|
Maps of Sand Dunes / The Threat That Cannot Be Obeyed / The Ames Room / Hallowing / Fact (plural) / Obelus / Sweat on Paper |
|
Masturbatorium |
|
Mesne (Kruis) |
|
Mind Loss |
|
Myriologue #2: "Calenture" |
|
Myriologue #3: "Quonking" |
|
MZVLNE |
|
Of the Building of Forms by Vibrations |
|
Oh Yes |
|
One Hour |
|
Owl Ionisation Recording (1968) |
|
Placing the Seed |
|
Placing the Seed (extract) |
|
Plan I.E. |
|
Psychon Installation Test Tape |
|
Replacement |
|
Restimulation |
|
Seeding the Place |
|
Seven Hours |
|
Shaktipat |
|
Shortfall |
|
Six Hours |
|
Sparrow-Week |
|
Sphotavāda! |
|
Starfall |
|
Strata Definition Test #10 |
|
Suppressed Noise |
|
The Act of the First Mark |
|
The Blind Table |
|
The Closed Bread |
|
The Fifth Mantra |
|
The Hafler Trio Demonstration Cassette |
|
The Hafler Trio Play The Hafler Trio |
|
The Howney Stone |
|
The Inner Church |
|
The Insect Priest |
|
The Limitations of Silence |
|
The Lotion of Detached Sounds |
|
The Morality of Sound |
|
The Most Beautiful Breath (extract) |
|
The Naturalist |
|
The Photograph |
|
The Pouch |
|
The Work of Washing |
|
Three Hours |
|
Three Remarkable Examples of Air Turbulance |
|
'Tis True, 'Tis True |
|
Two Hours |